Do you know who the powerful Chinese empress Wu Zetian was? Have you ever heard of the three rebel Dominican sisters (Las Mariposas) who defied the dictator Trujillo? Or how about super sexy singer/songwriter Betty Davis? Or passionate Afghan rapper Sonita Alizadeh? ME EITHER, until I read graphic artist Penelope Bagieu‘s candid, colorful, cartoon collection of girl-power-mini-bios. This unputdownable volume of glorious girls and wondrous women, both notable and not-so, is easily one of my favorite books of the year. In just a few short pages, Bagieu chooses the most compelling tids and juiciest bits of each woman’s life and then illustrates them in tiny, perfect panels that completely captures them in all their funny, fierce femininity. Then she closes each story with a stunning full-color, two-page spread that often left me gasping in awe. I loved DISCOVERING volcanologist Katia Kraft, bearded lady Clementine Delait, and Apache warrior Lozen. And I loved learning MORE about astronaut Mae Jemison (did you know she studied medicine before space?) writer Nellie Bly (who basically invented investigative journalism) and collector Peggy Guggenheim (who discovered and financed practically every major twentieth century artist). The historical list of haut and hip goes on and on, and each page is a visual and intellectual delight. Don’t miss amazin’ Brazen!
Three star-crossed teens find their way back to love, family and acceptance in Gayle Forman‘s fate-full new novel. When troubled rising pop star Freya takes a tumble off a low bridge in Central Park and concusses a good looking stranger, she has no idea that the random accident will change the course of her life. When depressed tourist Nathaniel is nailed from above by a gorgeous half Ethiopian, half Jewish girl, he feels like he’s either falling in love or suffering from a head injury (and it’s probably a little of both). When broken-hearted Harun witnesses the girl crash land on the boy by the bridge, his first response is to run. He already has enough on his plate between losing his boyfriend and trying to come out to his devout Muslim family. He doesn’t need the added drama of playing good Samaritan to two complete strangers. But then he recognizes Freya. His ex-boyfriend’s favorite singer. Could she possibly help him find his way back into James’ good graces? His decision to help aligns their stars and sets each one on the road towards their destiny. On their own, they are lost, but together they will find their voice, their courage and their identities again. This heartfelt tearjerker, perfectly populated with diverse characters suffering from and solving problems both unique and universal, will leave you gasping, crying and eventually, smiling. Nobody does the Feels like Forman. Find it, read it, and then share it with anyone you love who might be feeling lost.
Some of you may have noticed that I did not post to RR AT ALL the whole month of February. No, it wasn’t because I was hibernating or binging Netflix shows while the snow flew and the temperatures dropped. It was because I was working on this super-sized round up of some of the latest YA books being written by women of color for the New York Times! Atia Abawi, Tomi Adeyemi, Dhonielle Clayton, Mary H.K. Choi and Sara Saedi have penned vibrant, diverse, thought provoking stories with something for every reader. Here you will find fighters, gods, immigrants, lovers, refugees, royalty, survivors and warriors, in settings both fantastical and utterly realistic, from backgrounds both global and right in your backyard. So take a look and then snag these not-to-missed titles from your library or bookstore soon!
Lots of people have had bad childhoods, but Jude’s takes the cake: when she was seven years old, a green skinned stranger with big teeth showed up at her front door, murdered her parents and then kidnapped her, her twin sister Taryn and older sister Vivi. Turns out the stranger was her human mom’s jilted fairy husband Madoc, who came to retrieve his true child, Vivi, and ended up taking all three sisters back to his castle. Now a teen, Jude lives a weird sort of half life as a human in the land of Faerie. She is never fully accepted by the Folk, but far too steeped in the ways of the Fay to ever live happily in the mortal world. She spends her days training to be a knight and trying to escape the unwelcome attentions of Cardan, a spoiled fairy prince who finds Jude’s very existence offensive. But when a massive betrayal goes down in the royal family, Jude is given the impossible choice to either cut and run, or stay and fight for her place in Faerie. Holly Black deftly handles a huge cast of characters, all of whom Jude must carefully evaluate to decide if they are for or against her. Because if she trusts the wrong person, she may end up paying for for it with her life. Full of intrigue, romance, politics, and enchanting descriptions of fairy food, clothes and weapons, this sumptuous tome will delight both fans of fairies and mud bound mortals. The first book in a planned series, The Cruel Prince left me desperately wishing I could conjure up the sequel!
Dear Teen Peeps,
Like last year, I haven’t read nearly as much YA as I wanted to/should have, due to number of tedious, adult-ing reasons. So here is a leaner, meaner list of my top five best YA reads of 2017. I mean, I could have dragged the list out to ten, but that would have taken away from the absolute awesomeness of these five, utterly top-notch books. Please note that there has been absolutely no attempt to balance this list by age, gender or genre. These are just my “from-the-gut” favorites of the books I read this year. Click on the title to go right to the review.
American Street by Ibi Zoboi
Berserker by Emmy Laybourne
Be True to Me by Adele Griffin
Genuine Fraud by E. Lockhart
Vincent & Theo by Deborah Heiligman
Three generations of Indian and Indian American women laugh, cry, break up and make up in this past-to-present story of mothers and daughters, sisters and cousins. Tara and Sonia Das begin life as dutiful Indian daughters, but soon veer off onto nontraditional paths after arriving in New York with their parents in 1973. Beautiful, insular Tara wants to pursue an acting career, while her younger sister Sonia becomes a feminist firebrand. When a personal tragedy transforms their lives forever, both girls find themselves at odds with their conventional mother, Ranee, who is confused and even offended by some of their life choices. Fast forward to the near present. When Tara’s daughter Anna joins forces with Sonia’s daughter Chantal at their exclusive Manhattan private school to create a safe space for modest girls, their mothers’ and grandmothers’ DNA shines through, proving that one can be a strong Indian woman AND a proud American at the same time. There’s also loads of romance, travel, cultural misunderstandings and identity epiphanies that any reader will be able to relate to. Mitali Perkins‘ emotionally resonant work could not be more relevant as our divided nation argues endlessly about tangled policies that will decide the uncertain future of our innovators, poets and Dreamers. Read it, and feel the distance close.
Nicole Georges first met Beija at an animal shelter when she was sixteen. Beija was a Shar-pei/Dachshund mix with “inflatable” ears and a fear of men and toddlers. Nicole was a punk rocker coming out of a feral childhood with a fear of chaos. They fell in love immediately. For the next fifteen years, girl and dog were inseparable. Nicole survived car accidents, navigated a half dozen romantic breakups and makeups, worked at farm sanctuary, and even dabbled as a pet psychic. Through it all, Beija was there, dependably growling at babies, peeing on the carpet, and always being completely, thoroughly herself. Though Nicole sometimes questioned her sexuality and her calling as an artist, the one thing she never questioned was the loyalty of her quirky, protective, big-headed dog. “Forgiving and earnest, heartbreakingly faithful, Beija loved me even when I lapsed in loving myself. Neither of us had ever been chosen, but we chose each other.” This touching graphic memoir is so much more than just another doggy love story. While Beija features prominently, this is really the story of Georges’ young adulthood and transformation into an artist, writer and self-actualized human. Her detailed, intimate artwork poignantly conveys the message that while her experiences may have been specific, Georges’ feelings of fear, confusion and insecurity are universal. FETCH is for anyone who ever found love and acceptance with people after a fur person showed them the way.
Sasha was an agender, white, private schooled teenager who loved invented languages, web comics and wearing skirts with vests. Richard was a straight, black, public schooled teenager who loved pulling pranks, hanging out with his friends and working with little kids. One afternoon in November 2013, they were both riding the 57 bus in Oakland, California, complete strangers who had never met before. Sasha had drifted off, and Richard was goofing around with his friends. When he was dared by his friend Jamal to touch a cigarette lighter against the sleeping Sasha’s skirt, Richard was horrified when the fabric he expected to smolder and go out, instead burst into a deadly fireball. Sasha was burned on 22% of their body, and Richard was arrested. What happened next is a fascinating true story of pain, forgiveness, race, gender and socio-economic class that will inspire and enlighten anyone who reads it. Dashka Slater‘s crisp, journalistic prose paints a fully rounded picture of both teens and where they came from, allowing readers to see the incident in a full 360 degree view. Slater took a sensationalistic headline and turned it into an utterly engrossing, deeply human story that will challenge perceptions and change hearts.
Olga, Julia’s kind, dutiful older sister, is dead. Hit by a truck while crossing the street, Olga has ascended to sainthood while Julia is left here on earth to compete with her sister’s perfect memory. Julia is far from perfect. She eats too much, reads too much, thinks too much. While Olga did no wrong, Julia can’t seem to get anything right, at least not in the eyes of her mother. All she wants to do is escape her hometown of Chicago and go somewhere, anywhere else. Julia’s raw emotions, that spill across the page like blood and soak every chapter like tears, are immediate and authentic: “I’m so frustrated, I don’t know what to do with myself. Sometimes, when I feel like this, I want to break things. I want to hear things shatter. My heart beats so fast and hard that I can hardly breathe, and I wonder if anything will get better. Is this really the way my life is going to be?” When Julia uncovers some clues that Olga wasn’t quite as perfect as everyone thought, she’s torn. Does she tell her mother that her perfect Mexican daughter was actually just a regular girl? Or does she let her mother continue to revere Olga, even as she keeps expecting Julia to meet her impossible standards? Julia’s experiences of love, sex, depression and homecoming simultaneously define a classical bildungsroman while also breaking its traditionally white dude mold. Erika Sanchez‘s singular debut about the pressure of cultural norms, the pain of not fitting in, and the anguish of not being able to make yourself understood is a loud, proud, universal anthem to the outsider. (Oh, and just FYI, it was also a National Book Award finalist.)
Happy Halloween! While many of you are looking forward to candy, there is no greater treat to me than a good book. So instead of candy corn, I’m treating you to this tasty review that will tickle your brain instead of your sweet tooth!
Aza is trapped. Not down a well or in a dungeon, but in the claustrophobic spiral of her own obsessive thoughts. She worries about germs and bacteria. She worries about sweating too much. She worries that the scab she keeps opening up on her finger will get infected, and the infection will spread and eventually kill her. She worries that her medication doesn’t really work. She worries that all her worries mean she’s crazy. So when eccentric local billionaire Russell Pickett disappears under questionable circumstances and Aza’s exuberant best friend Daisy insists that they try and find him so they can claim the hundred thousand dollar reward, Aza feels a little relief at being able to focus on something other than her uncontrollable thoughts. But trying to solve the mystery introduces a whole new set of complications into Aza’s life, including an inconvenient crush on Pickett’s son, her former schoolyard friend Davis. Davis is the first person Aza’s ever told the truth about the scab on her finger: “that the pressing of my thumbnail against my fingertip had started off as a way of convincing myself that I was real.” Aza worries that if she can’t control her thoughts, maybe that means she isn’t really in control of anything and maybe, just maybe she doesn’t even exist. Instead of pulling away, Davis only grows more interested in Aza, until she’s less worried that he likes her and more worried about his bacteria mixing with hers when they kiss. Can Aza find a way to manage her anxieties and relationships in a way that will allow her to feel alive instead of just living? This deeply personal novel is by master heart-tugger and brain-bender John Green, so expect no easy answers. What you can expect is a realistic and compassionate examination of what it’s like to live with OCD, a fair amount of Star Wars fan fiction, facts about tuataras and clever, rapid-fire dialogue. Because like I said, this is a John Green novel. And he does cerebral, unconventional YA like no one else. Both superfans and John Green neophytes should also check out these interviews about the book and this adorbs morning show clip:
Now that THAT’S out of the way, let’s talk turkey, my equally obsessed Diviner fan peeps! The voluminous third volume of Libba Bray’s 1920’s fantasy/horror epic pulls together the disparate threads of the first two books while setting the stage for a sumptuous conclusion. Here, our intrepid Diviners begin formal training to sharpen their spooky skills for a showdown with the King of Crows (aka the man in the stovepipe hat) who finally introduces himself and reveals that he is mostly responsible for letting all those murderous ghosts into New York City. (I say mostly because, well, it’s complicated. You’ll see.)
Drawing strength from finally coming together, the united Diviners force Uncle Will and Sister Walker to reveal what they know about the mysterious Project Buffalo and the role of the US government, and… are immediately sorry they did. Because in this instance, knowing the truth not only doesn’t set them free but just might get them killed. And individually, they are wrestling with personal demons that are every bit as scary as the supernatural baddies they do battle with. Evie, Sam and Jericho are trapped in an impossible love triangle, Theta’s ugly past comes home to haunt her (and how!), Mabel is forced to decide between peaceful activism or rebellious violence, Memphis has his trust broken by two of the most important people in his life, Ling struggles with her sexuality and Henry hides a broken heart beneath his carefree swagger. Meanwhile, the Shadow Men are knocking off anyone and everyone who knows anything about Project Buffalo, Blind Bill is NOT who he seems, someone dear dies and someone we THOUGHT was dead may actually be alive. In addition, there are roller coaster romances, sexy encounters, ghosts with teeth and secret assassins with piano wire. And of course, Bray also manages to make some timely, thought provoking parallels between the 1920’s and the emotionally fraught, oppressive, deceptive time we’re living in now. I mean, come on. It really doesn’t get any bigger, better or more badass than this. Get all caught up and then grab this latest volume toot sweet!
Addison Merrit is used to taking risks. Ever since the toxic Spill transformed her hometown of Poughkeepsie, New York into a mutant wasteland three years ago, Addison’s been taking her life in her hands to take illegal photographs of the Spill Zone. She only rides her motorbike in after dark, and the photos make enough money on the black market to keep her and her little sister Lexa together after their parents disappeared in the Zone. But the local authorities are starting to ask dangerous questions, Lexa’s stopped speaking, and her photo dealer has betrayed her. So when an enigmatic underground art collector offers her a cool million to take one last ride into the heart of the Spill Zone and drop off a mysterious package, she reluctantly agrees. But what she doesn’t know is that she just may have become an unknowing operative for the North Koreans, who have has Spill Zone issues of their own and are looking for answers. Full of wicked cool mutant monsters and out-of-this-world action, this freaky, fast paced graphic novel will please the pants off sci-fi and horror readers alike.
Will’s older brother Shawn was shot and killed two days ago: “Blood soaking into a/T-shirt, blue jeans, and boots/looks a lot like chocolate syrup/when the glow from the streetlights hit it./But I know ain’t/nothing sweet about blood.” Reeling with anger and grief, Will attempts to follow the unspoken Rules of his neighborhood: 1) No crying. 2) No snitching. 3) Revenge. ‘They weren’t meant to be broken/They were meant for the broken/to follow.” While his mother sleeps, Will sneaks out of his apartment with his brother’s gun, determined to hunt down the person who killed Shawn and close the circle of vigilante justice. But Will finds his mission delayed when the elevator annoyingly keeps stopping on each floor. His irritation quickly turns to confusion and fear when he realizes exactly who is getting on the elevator with him. In a kind of bizarro, Dickens Christmas Carol scenario, Will is visited floor by floor by the spirits of folks in his life who have died from gun violence–from his school yard crush to the father he never knew. Trapped in the elevator and surrounded by death, Will has to decide by the ground floor if he’s still ready to trade in his future in order to avenge his brother. This suspenseful nail-biter of a novel is written entirely in free verse, which makes it move at the speed of lightning while also giving dreadful pause on each page. Rising YA star Jason Reynolds (who’s just been long listed for the 2017 National Book Award) has penned a provocative page turner about family, tradition and the cycle of violence that will stick in your throat and lodge in your heart for days to come. Landing in a library, bookstore or e-reader near you October 2017.
As summer swings to an end, we could all use a little inspiration (especially after THIS summer) as we head back to school or work. Luckily, we don’t have to look far. Award winning poet Nikki Grimes has created a unique little book BIG on art, history and imagination that will pump up your heart and brain for the challenges of fall. Added bonus? It will fit neatly into that square front pocket of your backpack or briefcase. Because these poems aren’t just for kids or teens. They’re for anyone looking for a light in the darkness.
Using the “Golden Shovel” form, Grimes took lines from famous Harlem Renaissance poets’ work and used them to craft her own original poems that reflect the chaos, complications and hope of our current world, and of the African American struggle in particular. Grimes also asked several of today’s leading African American illustrators (including Christopher Myers, Brian Pinkney, and Javaka Steptoe) to lend their visions to the pages, so each poem is accompanied by an original artwork that further uplifts the work. My personal favorite is this poem by Georgia Douglas Johnson, which in turn inspired an ode to family and endurance by Grimes called “Bully Patrol.” Short biographies of both poets and artists are included in the back in case you want to find out more about these titans of words. I’d honestly be shocked if you didn’t want to read more, or try the Golden Shovel for yourself. Happy reading, writing and autumn-ing!
“I had known Noe for only ten minutes, but already I could feel that protecting her would give me a purpose, give my tortured energy somewhere to go…I could be a normal human as long as I was interacting with Noe.” Shy, awkward freshman Annabeth found a best friend and savior in Noe, a vivacious gymnast whose social capital kept them both afloat through high school. Now it’s senior year and their solid friendship is starting to falter. Even though she would much rather be camping or hiking, Annabeth joins the gymnastics team and reluctantly strikes up a bantering relationship with Noe’s boyfriend Steven just to keep Noe close. But Noe continues to pull away, spending more time with the “gym birds” and deciding to apply to a different college. As Annabeth struggles with the legacy of a brutal family secret, a possible eating disorder and the consequences of one romantic night, she realizes she needs a real friend to help her get through it. But after closing herself off for so long, can Annabeth find the strength to trust someone new? This character-driven, emotionally intense tale about the slow uncoupling of a friendship will hit way too close to home if you’ve ever lost a BFF to time, distance, or someone else. Hilary T. Smith has only written two novels, and each one is a complex, lyrically written examination of a human being struggling to understand her place in the world against huge emotional odds. Prepare to be devastated, in the best way possible.