There’s nothing I love more than a good Arthurian legend. And Philip Reeve has written a slammin’ one! In this realistic revamp, Myrddin (Merlin) is a smooth-talking two-bit politician, a slight-of-hand bard who knows there’s no such thing as magic, only human gullibility and greed. He takes a promising young warrior named Arthur and attempts to use his savage talent to unite the squabbling tribes of Britain, who have fractured into a million warring pieces after the fall of the Roman Empire. But despite all of Myrddin’s efforts to groom the brutish Arthur into something resembling a king, the man known as “The Bear” refuses to be tamed. Arthur continues to loot and terrorize neighboring communities just like the barbarian Saxons he has sworn to protect them from, even as Myrddin grows his legend as a fair and just leader throughout the land. Myrddin’s masterful manipulations and Arthur’s violent exploits are seen through the eyes of Myrddin’s young assistant Gwyna, an orphan girl who becomes an unwitting accomplice in the creation of the enduring, yet wholly man-made legend of Arthur. The players you know well are all here: Gwenhwyfar (Guinevere) Bedwyr (Lancelot) Peredur (Perceval) and of course, the wily Myrddin. Except in this reimagining, there is no fantasy to blunt the sharp edge of Arthur’s broadsword Caliburn (Excalibur). Reeve removes the gilded edges from the traditional Arthur tales and writes Camelot the way it might have been in a real time and place. The result is bleak, and often bloody, but brilliant. If you are as obsessed with Arthurian myth as I am, you’ll also want to read Kevin Crossley-Holland’s and Jane Yolen’s versions of the legendary king.