World-weary traveler Willem is lost. But not in a GPS sort of way. He knows exactly where he is geographically. But ever since his father’s sudden death and his mother’s consequent withdrawal, he’s been wandering lonely as a cloud, drifting from one European destination to the next, trying to find an emotional anchor. And then for one day in Paris, he does. He meets the charming Lulu, an American girl on vacation who needs a distraction from her life as much as he needs one from his. They spend an amazing twenty four hours together. And then he wakes up in an emergency room, battered, bruised and barely able to remember the girl of his dreams. All he knows is that he wants her back, and he will do anything to find her. Except where does he start when he realizes that Lulu isn’t even her real name? Told in Willem’s brave, tender, tragic voice, this extremely satisfying sequel to the beautifully wrought Just One Day will satiate salivating fans who have been dying to find out what happened to Lulu’s mysterious Dutch crush. If you haven’t encountered Willem and Lulu before, you’ll want to read their twinned accounts back-to-back to get the full experience of their long distance love story. A Just Wonderful romantic adventure for the lucky-in-love and brokenhearted alike.
Archive for October, 2013
When Gerald was little, his parents signed his family up to take part in a reality television show called Network Nanny. Instead of helping, the show only exacerbated the issues in Gerald’s home—namely that his oldest sister Tasha was a psychopath who terrorized Gerald and his sister Lisi, and that their mother never did anything to stop it. In retaliation, little Gerald did the only thing he could to get back at his big bad sister: he took televised dumps on her most treasured possessions, earning the charming nickname the Crapper. His parents, unable to face Tasha’s disturbing behavior, blamed Gerald instead and the actress Nanny, the only one who ever called Tasha on her conduct, gave up after Gerald punched her in frustration. Now the Crapper is seventeen years old, and his reputation precedes him everywhere. As a result of his unfortunate television legacy and living under his sister’s reign of evil, he has developed a serious anger management problem that causes him to cut himself off from feeling anything so he doesn’t end up hurting anyone. Because lashing out is the only way he knows how to express himself: “The broken arm in freshman year. And nose. And that time I tried to crush a kid’s neck last year. I memorized the walls of the middle school principal’s office. I memorized every inch of the high school’s in-school suspension room.” But then he meets HER, the one girl who understands how he feels and can maybe even help him turn his life around. But will he ever be able to pull the layers of plastic wrap off his battered heart and learn to trust again? A.S. King’s latest is emotionally exhausting and blisteringly real, unlike the staged shows it’s based on. The story unfolds in a series of little ephiphanies as Gerald slowly comes to realize that he can reclaim his life and even fall in love if he’s brave enough to face down his past and confront his parents. The short chapters and spot-on dialogue make the pages fly. After closing the cover, I felt like I’d been through the psychological wringer—in the best possible way. This is one reality show that tells the truth. For more smart stories of savvy teens who learn to see through adult BS, you’ll want to check out King’s other outstanding titles.
Tina’s tired of everyone constantly asking her what she IS, when she’s still figuring it out herself. It’s annoying that just because she’s Indian, people think she’s going to end up in an arranged marriage meditating on sacred cows with a dot on her forehead. She happens to BE a lot of things, and not all of them have to do with where her family is from. So she’s pretty excited when her English teacher Mr. Moosewood creates an elective called Existential Philosophy, which is all about learning how to BE. And not anything in particular, either–just yourself. Tina thinks she can handle that, especially after her best friend dumps her and she develops a crush on the cutest boy at her private school. Her world is suddenly shifting. If she can learn to answer the big life questions posed by her existential philosopher hero Jean-Paul Sartre, maybe everything will fall back into place. Including her first kiss, which is the big life question Tina is most interested in answering. Forget the meaning of her existence! What actually matters most is if she ever plants a juicy one on skater boy Neil Strumminger, will he kiss her back? And if so, will they be boyfriend/girlfriend? Mari Araki‘s sketchy black and white drawings that look like they would be right at home on the cover of your favorite notebook perfectly compliment Keshni Kashap’s angsty text. This witty graphic novel about a smart, funny Indian girl seeking the meaning of life in high school hallways and family dance parties will ring true for anyone who’s ever tried to peel off society’s slapped on labels.