Three sisters left alone for three days in a wintery cabin, each visited by a mysterious stranger who lures them into the snow. A beautiful young bride who makes a grisly discovery in the walls of her new husband’s grand house. A jealous man who commits murder in the dark of the forest and then is visited by the victim of his crime. These are a few of the deliciously creepy, folklore-gone-wrong stories written and illustrated by the incredibly talented Emily Carroll. Mostly inked in red, black and a chilly cobalt blue, these graphic vignettes about love, death and revenge ooze with tension until they quietly detonate, usually in a silent moment of terrifying realization or a shocking splatter of crimson blood. Though I have read through the collection over half a dozen times by now, I just can’t stop poring over the gorgeously gory pages in fear and fascination. This assemblage of gothic-themed dread is a boon to my YA horror peeps who are always looking for a good literary scare, and to any nervous reader who’s ever been convinced that they just missed being snatched on the way back to bed by the something that lives under it. Because as the fanged shadow warns Red Riding Hood at the end of her journey through the forest, “You must travel through these woods again & again…and you must be lucky to avoid the wolf every time…but the wolf only needs enough luck to find you ONCE.” Here’s hoping that the wolf never gets lucky and you relish these darkly delightful tales as much as I did. Want a taste of Emily Carroll’s disturbing visions? Read this interactive horror story and try not to shiver uncontrollably at the end.
Archive for September, 2014
Most of us have heard of or read the story of the last royal family to rule Russia, about their immense wealth, sheltered lives and horrific end. But Candace Fleming tells the familiar history in a compulsively readable way, by including parallel narratives of real peasants and revolutionaries whose brutally poor lives provide a stark contrast to the opulence of the royal Romanovs. While the difference between the imperial family and the people they ruled seems cruel and extreme to us today, Fleming does an thorough job of showing that the Romanovs were products of their time period, who truly believed that the peasants were happy farmers who lived robust country lives. But this convenient belief couldn’t be “…further from the truth. Most peasants had never slept in a proper bed, owned a pair of leather shoes, eaten off of a china plate, or been examined by a doctor.” In fact, Fleming notes, “Many peasants were so poor, even the cockroaches abandoned their huts.” But Nicholas Romanov was willfully ignorant of the fate of his people because he had been raised to understand that his family had been divinely chosen to rule, an understanding that eventually led to the fall of czar-ruled Russia. I was surprisingly riveted by a story where the end is never in doubt. But Fleming’s detailed descriptions of the royal children (son Alexie was a holy terror in the school room, daughter Anastasia was nicknamed “dumpling”) and their luxurious surroundings juxtaposed against the rise of the disenfranchised revolutionaries made for obsessive reading. You also won’t want to miss the fascinating portrait of one of the most radical rock stars of history, the famous charlatan Rasputin, who wormed his way into the royal family and almost refused to die. I finished the entire book in two days, and I bet you will too when you nab your own copy from the nearest library, bookstore or e-reader.
The Graveyard Book Graphic Novel, Vol. 1 by Neil Gaiman, adapted and illustrated by P. Craig Russell et. al.
Neil Gaiman‘s Newbery award winning novel about a boy being raised by ghosts and a kindly vampire guardian has been transformed into an edgier, sophisticated two-part comic that captivates and surprises on every page. Haven’t read the novel yet? No worries, you can easily pick up the full story from Russell’s lavish adaptation (He’s the same artist who created the Coraline GN). This time Russell invited a small army of talented illustrators to join him, and the results are phenomenal. I especially loved Tony Harris and Scott Hampton‘s version of The Hounds of God, which was my very favorite chapter from the novel and stars the stalwart, secret canine Miss Lupescu. The full color spreads bring the busy graveyard and surrounding community to glorious, riotous life and quickly help readers differentiate the living from the dead. The beautifully wrought Danse Macabre chapter that finishes off the first volume is not one you will forget anytime soon. Don’t wait too long to dig it up at a library or bookstore near you.