David Smith is a disgraced artist. Once a rising young star in the art world, he said the wrong thing about the wrong critic and suddenly his career was in the toilet. Now he’s washed up at twenty six and about to be evicted from his apartment. But just when he’s resorted to drinking his days away, Death shows up in the form of his former Uncle Harry and presents him with a proposition he can’t refuse: the ability to sculpt any material with his bare hands in exchange for (what else?) his life in 200 days. David has a little under seven months to make his mark on the world before he leaves it forever. But right away he runs into complications. First of all, there’s the little matter of his rent–he’s still jobless and broke. His landlord throws him out and confiscates all his new work. His phone is cut off. Then the very worst possible thing of all happens. David falls in love with an angel named Meg and the endless 200 days suddenly seem a lot shorter. Can David beat Death at his own game by finding a way to live forever through his artwork? Or will he die in obscurity, content that at least he was truly known and loved by one very special person? Since the “making a deal with Death” is a familiar story, you might think you know how this epic graphic novel ends. But you would be dead wrong. Scott McCloud‘s richly rewarding GN, with its timeless themes of life, death, love and art has the feel of an instant classic. The pale blue artwork is restrained, the panels are perfectly placed. The moment I finished it, I knew it would become a literary touchstone that I would return to again and again, like Craig Thompson’s Blankets, Toni Morrison’s Beloved, or S.E. Hinton’s Tex. For anyone who’s ever wondered what they would sacrifice to fulfill their dreams or which dreams they would be willing to sacrifice for a beloved someone.
Ever since I read French Milk before taking my first trip to Paris, I have been utterly charmed by Lucy Knisley‘s delightful (and often delicious) graphic memoirs. Her latest effort, which chronicles her travels through Europe while on a book tour, does not disappoint, as it is filled with the quiet humor and delectable food descriptions I have come to expect from this intrepid young artist. In 2011, twenty-something Lucy was enjoying the first flushes of her success as a working cartoonist when she was invited to present at a comic festival in Norway. She decided to tie it into a visit with friends in Sweden and Germany, and then join her mother and her friends for a short vacation in France. Once she is overseas, Lucy is blindsided by an unexpected love affair in Stockholm while trying to decide where the next chapter of her life will lead. She finds herself discombobulated and questioning everything she thought she wanted as she teaches European school kids about comics, drives across France with her mother and samples every local delicacy that comes across her plate.While at a wine tasting, it is a bearded old sommelier who gives a name to the experiences Lucy is having: “L’Age License, as in: License to experience, mess up, license to fail, license to do…whatever, before you’re settled.” Lucy decides then and there she will do less worrying about the future and more enjoying of the present. Peppered with appetizing cuisine pictures and unexpectedly beautiful full color portraits of her friends and family, An Age of License is a lovely story about food and firsts. It is perfect for anyone at the start of their travels who wonders where their road will lead–or for those in the middle of their journey who would enjoy a wistful moment looking back.