Sixteen year old Starr Carter has to navigate two different worlds that couldn’t be further apart: Garden Heights, the poor, mostly black neighborhood where she and her family live, and Williamson, the pricey, mostly white prep school she attends. She is pulled in one direction by her loving but strict family and culture, and the opposite direction by her wealthy school friends and white boyfriend Chris. “…I never know which Starr I should be. I can use some slang, but not too much slang, some attitude, but not too much attitude, so I’m not a ‘sassy black girl.’ I have to watch what I say and how I say it, but I can’t sound ‘white.’ Shit is exhausting.” Will Smith’s Fresh Prince of Bel Air character and Tupac Shakur‘s music are her touchstones as she tries to make peace between her two selves, but she often feels totally overwhelmed with the burden of keeping them separate. When her unarmed childhood friend is Khalil is gunned down right in front of her by a white police officer, Starr’s worlds collide in the worst possible way. Suddenly she is in the spotlight, fighting to defend Khalil’s memory and reputation at home and in front of a grand jury, while feeling angry and exposed at school when her clueless classmates stereotype Khalil as a “a drug dealer and a gangbanger” who “was probably gonna end up dead anyway.” The simmering conflict spirals out of control when the police institute a curfew, tanks roll past Starr’s front door, and Garden Heights becomes a battle zone. Tired of trying to unite her double life, Starr finds her true north when she confronts the police who are trying to block her and her friends from protesting with the strongest weapon of all: her voice. “Everybody wants to talk about how Khalil died…But this isn’t about how Khalil died. It’s about the fact that he lived. His life mattered. Khalil lived! You hear me? Khalil lived!” Inspired by the Black Lives Matter movement, Angie Thomas‘s debut novel is a searingly honest, painfully real examination of racism, police violence, code switching, and the importance of love and family in the face of crisis. Some readers will come away with a deeper and more nuanced understanding of what it means to grow up African American in this divided country, while others will find comfort and validation in seeing themselves on the page and being authentically seen. A vital read for all that is coming to a library or bookstore near you February 2017.
Tourist. Traitor. Psychopath. Spy. Who is Jule West Williams? A steely-eyed orphan who fought her way into the Ivy League with nothing but grit and determination? A heartbroken teen who just wants to be loved and accepted? Or a master manipulator with no conscience who will stop at nothing to secure her future? Only YOU can decide in E. Lockhart‘s brand new, topsy turvy tale of love, murder and betrayal.
As soon as Jule met Imogene, they were instant BFFs. Jule admired Imogene’s refusal to accept labels, and Imogen adored Jule’s stories of her hard-luck past. Imogene had money, and Jule had none, but that didn’t matter because benevolent Imogene always paid. But then Imogene asked one too many questions, Jule lied one too many times and suddenly, their fairy tale friendship was through. How will Jule survive without Imogene, or more specifically, Imogene’s generosity? With a lot of planning and a little luck, maybe she won’t have to…
This innovative thriller that starts at the end, and ends at the beginning, is exquisitely executed. Each meticulously plotted detail leads the reader deeper and deeper into a dizzying labyrinth of truth, lies and shocking consequences. As one of the fortuitous few who got to lay my eyeballs on this super advance copy, I was giddy with anticipation and fear at each turn of the page, and finished the whole stunning thing in one long, delirious sick day home in bed. “Fraud” may be in the title, but this provocative puzzler is destined to be a bona fide hit! Mark your calendars for September 2017 so you can be among the first to read one of the most remarkable YA novels of the year. Too long to wait? Then try these other satisfying stories of slippery secrets and delicious lies.
Che’s sister ten-year-old Rosa isn’t like other little girls. She’s not afraid of anything, not heights or strangers or big dogs. She thinks it’s funny when someone gets hurt. She doesn’t make friends, she uses them. She wonders what it would feel like to kill something bigger than a bug. Che knows this because he is the only one Rosa confides in. Che is tired of listening to Rosa’s constant lies. He’s tired of trying to anticipate what terrible thing she might do next. But mostly he’s tired of his parents pretending nothing’s wrong. Because something is very wrong with Rosa. And now that their family has moved to New York City, Rosa has a whole new world to explore, new friends to exploit, new lies to tell. Che just wants to focus on boxing and getting a girlfriend, but he’s afraid to leave Rosa alone. Che tries again to tell his parents that Rosa isn’t right. But they just don’t want to hear anything bad about their darling, blue-eyed daughter. Now Che can only watch helplessly as Rosa’s deadly new plans unfold, and pray that she doesn’t target him next! Justine Larbalestier’s chilling modern take on The Bad Seed is utterly unputdownable. I downed this intense characterization of psychopathy in a little under 24 hours, and I have no doubt you’ll do the same when you snatch up this suspenseful tome about the terrifying toxicity of family secrets at your local library or bookstore!