Jane McKeene, daughter of a white woman and a black man, is learning the fine art of zombie killing at Miss Preston’s School of Combat for Negro Girls in Baltimore County. Ever since the dead rose up at the Battle of Gettysburg, the States quit fighting each other and began fighting the revenants. The government then created “combat schools,” where black and brown-skinned teens are taught etiquette and sword play in order to become dutiful “Attendants” for wealthy white families and protect them from zombie attacks. Jane is thisclose to graduating with honors and returning to her beloved home in Kentucky, when she and her arch frenemy Kate Deveraux are forced to take on a “special assignment” in the wild, uncivilized western frontier. There they learn that the fragile national peace wrought by the bloody efforts of their peers and comrades is in serious jeopardy, and that zombies are actually the last things they should be afraid of. With all of this going on, Jane has absolutely no business falling for two boys who couldn’t be more different. But the heart wants what the heart wants, as they say, and if Jane survives the rapidly amassing zombie herd, she’ll have decide which boy (if any) gets her still-beating ticker. If I sound cagey or mysterious, that’s because it’s almost impossible to write about this compulsively readable alternate history series opener without giving away the secrets at its core. Ireland spins a page turning tale, while also weaving in lots of subtle and not so subtle allusions to our country’s past and present problems with race, power and corruption. Wielding her fictional pen like a critical sword, Ireland scrutinizes and excoriates the real fake science intended to dehumanize black people, the real boarding schools that were set up to “civilize” Native American children, and how Reconstruction morphed into Jim Crow after the Civil War. Readers who come for the zombies will stay for the sharp social commentary and gleeful skewering of stereotypes. Dread Nation is KILLER.