We’ve all heard the story of Joan of Arc: French teen girl hears voice of God telling her to save France from the English, chops off hair, learns to wield a sword and ride a horse, fights in a bunch of battles, gets captured by the enemy, and is burned alive as a heretic. But in The Language of Fire, Hemphill, master of the verse novel (Your Own, Sylvia, Wicked Girls) has unmasked the mythical martyr and revealed the stubborn, scared girl who challenged the religious patriarchy and led a skeptical country out of war.
In 1425, Joan, or Jehanne as she called herself, was only thirteen when she claimed to hear God command her to deliver France from English oppression. France and England had been fighting for almost a hundred years over the succession of the French crown, and now Jehanne believed she was being summoned by God to help put the rightful French king on the throne. There was only one problem. Who was going to follow an illiterate peasant girl with no knowledge or experience into battle? With utter sincerity and innocent piety, Jehanne slowly convinces powerful knights and land owning dukes that she is telling the truth. Impossibly, she manages to build an army large enough to challenge the occupying English troops and inspire the true French heir to come out of hiding.
Using spare free verse, Hemphill illustrates Jehanne’s short, intense life, full of the highest highs and the lowest lows imaginable. The greatest impression I was left with at the end of this book was how much the men who ruled Jehanne’s world were afraid of her. Afraid of a poor, young girl who might know more than they did, who was more favored by God than they were. And because she dared to question their authority–not for herself, but for the God she believed in–she lost her life. A detailed author’s note describes what Hemphill condensed or changed from the historical record, a chronology of the Hundred Years’ War, and a list of further reading.
Though I have not posted nearly as much as I hoped to this year, I simply cannot miss the opportunity to wax poetic about what my RR Top Ten Titles from 2010-2019 are. For those of you keeping score at home, this is my SECOND decade post, I also posted my top ten books from 2000-2009. (THAT’S how long Reading Rants has been around–this blog is about a million in dog years.) Last time, I focused on what I thought were the most under appreciated titles, but this time I want to explore how these 10 books have earned their shelf space in the YA canon, are relevant to teens today and possess the staying power to stick around well into the next decade.
With climate change reform at the top of our list of national and global priorities, Ship Breaker is more relevant than ever. Both a riveting adventure and a grim environmental warning, this story of a orphan scavenger trying to survive in a future world decimated by hurricane and flood has grit and hope in equal measure. A perfect companion to Greta Thunberg’s TED Talk.
Though it suffers from headless girl cover syndrome, Libba Bray’s outstanding satire of teenage pageant contestants stranded on a island after their plan crashes en route to the Miss Teen Dream contest, was way ahead of it’s time. As I wrote back in 2011: “…as the days go by and no plane or ship appears, the girls…start to ask each other questions like, why do girls always seem to say “sorry” whenever they happen to express a strong emotion or feeling? And what does “act like a lady” mean anyway? They begin to think, “Maybe girls need an island to find themselves. Maybe they need a place where no one’s watching them so they can be who they really are.” Beauty Queens brilliantly foreshadowed the current #MeToo movement that has all of us questioning long standing gender stereotypes, the male gaze and outmoded beauty norms.
Monument 14 makes my list because it is simply my best, never-fail recommendation. I have never had a student return this story of 14 kids trapped in a Wal-mart store in Colorado while the apocalypse rages outside, without them raving about it and demanding the sequel (of which there are two more) It has fast-paced action, unrequited romance, non-stop suspense, and zombies of course. It’s just a perfect, all-around package for any one looking for an immersive, satisfying read about the collapse of modern civilization. I haven’t stopped hand selling and replacing worn out copies of it since I read it back in 2012, and I don’t think I ever will. How this has not been made into a Netflix our limited HBO series, I DON’T KNOW.
Honestly, I can’t say it better now than I did in 2013: “While this exceptional work will no doubt help gazillions of readers understand the complexity behind religious wars and personal freedoms, it can also be appreciated as a swiftly paced adventure peopled with men, women and gods who bring this fascinating period of Chinese history to bloody life. I was blown away by both the richly illustrated package and the timeless message. Read them in the order the title suggests, (first Boxers, then Saints) and then pass them along to everyone you know.” Arguments over religious freedoms and differences are still tearing us apart in 2020, so we need Yang’s GN masterpiece now more than ever.
I’ll Give You the Sun still feels fresh as it is one of the only YA novels I’ve ever read that perfectly encapsulates what it means to be an artist, live an artistic life and what it feels like when that artistic passion is lost. Plus the writing is just so, so lovely. In 2014 I wrote: “I’ll Give You the Sun is the most delicious, word-juicy tome I have ever read. I underlined so many gorgeous sentences and passages that the pages of my copy are practically phosphorescent with highlighter. You’ll want to squeeze it like an orange in order to get every golden effervescent drop into your brain.” and I still stand by that!
All American Boys is the powerful collaboration between authors Jason Reynolds and Brendan Kiely that provides profound perspective around a situation that has become terribly familiar to anyone reading current headlines: the beating (or shooting) of an African American man by a white police officer. Looking at the situation from all angles and taking into account many nuances that the news often fails to address, Reynolds and Kiely created a novel that has given schools, families and students a way to discuss and process America’s complicated racial issues. While we’re not much closer to solving the problem, this book continues to help us try.
“This beautiful, devastating novel may have been published for an adult audience, but the powerful, precise prose reads like a timeless classic that should be experienced by everyone over the age of 14. I have no doubt that this book will find it’s way onto hundreds of high school reading lists and college syllabi by the end of next year, alongside the writings of Toni Morrison, Flannery O’Connor and Shirley Jackson.” (2016) Plus, Pulitzer Prize Winner. So, ’nuff said.
I said in 2017, “This innovative thriller that starts at the end, and ends at the beginning, is exquisitely executed. Each meticulously plotted detail leads the reader deeper and deeper into a dizzying labyrinth of truth, lies and shocking consequences.” Fraud scored 5 starred reviews, and I think it’s hire-wire plotting and complicated antiheroine will continue to find friends, especially when recommended to mystery and thriller fans. Plus it’s homage to the classic The Talented Mr. Ripley by Patricia Highsmith doesn’t hurt!
Take a look at all the gold on that cover–that tells you that The Poet X is going to be in print for a long, long time. It is hands down one of the best books I’ve ever read, and pretty much everyone else in the world agrees. This “arresting portrait of a young poet coming into her own” won every major (and minor) award out there, including the Prinz Award, the National Book Award and the Carnegie Medal. And I’m pretty proud of the fact that one of it’s many starred professional reviews (for The Horn Book) was mine!
Dear Frankly in Love, while I can’t predict the future, I’m pretty sure that your subtle, funny, compassionate portrayal of “inter-generational race relations, privilege, and the deeply uncomfortable and often untenable situation of being stuck between two cultures” is going to speak to readers for years to come. While you are in some ways an of-the-moment book, being published during a #weneeddiversebooks period of growing representation of authors of color, you also have all the hallmarks of a classic. You are both popular and literary, are serious but don’t take yourself too seriously, and packed with fully rounded characters that embody universal themes that anyone can relate to. In short, you are the perfect book to round out this decade, and to set the bar high for the next one!
Did the fall get away from me or what? No post since September lets you know this has been my busiest school year ever. Non-stop lessons for my middle school students on digital literacy, news bias and trolling, plus my own writing projects have left me with precious little time to post about my favorite books. But I do have them! Like in 2018, I haven’t read nearly as much YA as I wanted to/should have, so here is a leaner, meaner list of my top five best YA reads of 2019. Please note that there has been absolutely no attempt to balance this list by age, gender or genre. These are just my “from-the-gut” favorites of the books I read this year. Also, since I am lucky enough to get paid to review in publications other than this lovely blog, I reviewed some of my beloveds elsewhere, like the New York Times and The Horn Book Magazine, a professional publication for librarians and other people who still dig kids and YA lit. Click on the title to go right to the review and happy New Year!