Reading Rants! Out of the Ordinary Teen Booklists!

One of the saddest things human beings endure is death of a loved one. While the idea of our own death may frighten and sadden us, living through the death of someone else, someone close to us, is the saddest thing of all. So imagine Anna’s pain when she awakes from the horrific car accident she was in with her friend Ellen to discover that Ellen is alive—but the girl in the other car, the car that hit them—that girl is dead. That girl was Cameron Polk. Anna’s brother’s girlfriend. Now Anna is questioning everything about herself and her life. The accident wasn’t her fault, but will she ever be able to think of herself as anyone but the girl who killed Cameron? And what must her brother be feeling? Does he hate her? How can he not? Thoughts like these whirl through Anna’s head constantly after the accident, and if she tries to drive or hears someone scream, she immediately finds herself brought right back to that terrible night. With the help of a caring therapist named Frances, Anna discovers she has Post Traumatic Stress Disorder. Frances introduces Anna to a new kind of therapy called Eye Movement Desensitization and Reprocessing (EMDR) which allows Anna to internally watch movies of her life stream by and she just has to notice how those memories tie into her feelings about the night of the accident, her brother, and somewhat surprisingly, her feelings about her domineering father. As Anna makes her long journey back from that night, she discovers that there is so much more to her and her relationships with her family and friends than she ever imagined. This is a story of immense grief. But it is also a story of redemption, love and hope, the way only one of my all time fav authors E.R. Frank can tell it. “Mostly you realize you can handle it. You’d rather turn it upside down and dump it out…You’d rather do that, because you don’t want to have to handle it…But you do handle it. Because the thing you learn is that you can.” (2 weepies)

Samantha and Julie aren’t just best friends; they’re soul mates. They’ve been having sleepovers and dancing ballet together since they were little. So when Julie gets cancer, it feels like it’s happening to Samantha, too. Told in alternating chapters from both friends’ point of view, this book not only provides a frighteningly real picture of what it is like to watch your best friend go through hell, but also what it is like to experience first-hand through Julie’s eyes the stages of loss–fear, denial, hope and finally painful acceptance that life may be ending just as it is supposed to be beginning. This is a step up from Lurlene McDaniel’s soapy series books about terminally ill teens. This is a story with such real characters and feelings that it almost feels like you’re losing Julie, too–just when you’re starting to get to know and love her. (4 weepies)

Sara knows what it’s like to be an outsider. After all, she’s been in foster care most of her life and has just recently become part of a family that she loves and hopes will adopt her. It helps that her best friend Dulcie is also adopted and knows what it feels like. The two of them share everything, including their low-key status at school. But all that changes when the star of the football team suddenly notices Dulcie’s quiet beauty. Soon Dulcie’s caught up in a hot romance, leaving her best friend in the dust and Sara finds herself alone–again. But when Dulcie gets pregnant and she and her boyfriend are turned out by their parents, Sara is the only person that Dulcie can turn to. But can Sara convince Dulcie that the final solution she and her boyfriend have planned to escape their problems isn’t tragically romantic or terribly beautiful, but just plain selfish suicide? Told in many different formats, including emails, Sara’s journals and stories, and news articles, this book is a fast-paced weepie with a devastating ending that will leave you with your mouth hanging open and tears in your eyes. (3 weepies)

An oldie (first published in 1974, and now, sadly out of print) but still an amazingly effective weepie. Kate is a happy, hippie teenage mom back in the 70′s whose into peace, love and cute guitar players (like her adorable boyfriend Sam). He’s not the father of her sunny baby Jill, but he acts like it. Their lives are full of good friends, funny stories and songs, even though they’re super poor and Sam makes all their “bread” by playing in a bar. Then Kate falls down one day while giving Jill a bath–her leg just stops working. When she gets it checked out, she discovers she has a rare type of terminal bone cancer. Now Kate has a terrible decision to make–take brutal chemotherapy treatments that leave her nauseous and weak and may only extend her life by a few months, or ditch all the treatments and use the feel-good time she has left to be a real mom to her baby. Based on a true story of a young mother who used a tape player (pre-Camcorder-times) to record messages for her daughter to listen to after she was gone, Sunshine is one of my most favorite weepies ever because of Kate’s sincere, true voice and her Zen-like attitude about her own death. This is one I read over and over, wishing with all my heart that the ending were different. (4 weepies)

Sam Pettigrew is practically the only guy at his high school. That’s because it’s a special school for teen parents, and most of his classmates are girls. But Sam’s ex-girlfriend, Brittany decided that she couldn’t deal with a baby, so Sam, who couldn’t bear to see Max go live with strangers, decides to become both mom and dad. He strikes a hard bargain with his own single-parent father–Sam’s dad will help pay for Max’s needs so Sam can stay in school, but then super smart Sam has to sacrifice any hopes of college and engineering to work full-time with his dad to pay him back after he graduates. It’s incredibly hard being a full-time parent and student. Between classes and teaching Sam to drink out of a cup and get to sleep at a decent hour, there’s no time for friends, movies, or just plain relaxing. Sam is on 24 hours a day and it’s starting to catch up with him. When he lets his guard down for a minute, Max ends up in the emergency room, and Sam finally starts to question his choice. Was it really better to hang on to Max? Or should he have let him go to people who were more ready than he was to be a parent? This one you may read right up to the very last page without crying, but that last page is a killer. I started sobbing right on the subway.(1 weepie)

Even though she and her mother are poor and live in a trailer, Sarabeth Silver is one happy camper. She has a great network of caring best friends, and her young mom (who had Sarabeth as a teenager) is like a sister, best friend and guardian angel all rolled into one. Then it all falls apart (like you knew it would–why else would it be on the tearjerker list??) Sarabeth’s mom, only 30 years old, dies suddenly from a freak heart attack, and just like that, all the light leaves Sarabeth’s life. Now she’s forced to stay with her mother’s best friend in a one-room apartment, where there’s no room for her between the woman’s hostile husband and their new baby. Confused and angry, Sarabeth feels completely trapped–until she remembers what her mother tried to forget–the family that disowned them both when they found out her mom was pregnant with Sara. Sarabeth has relatives that she’s never met, and perhaps a hopeful future, if she’s brave enough to go looking for it. (If you want to get to know Sarabeth from the beginning, read the prequel to Girlhearts, called Silver by Norma Fox Mazer, another of my favorite books. But you don’t have to read Silver first to love and cry over Sarabeth and her loss) (2 weepies)

The only thing Bridget Edelstein ever wanted, more than a better relationship with her prima donna mother or perfect skin or a car that always started on cold mornings, was to be her best friend Benji’s girlfriend. So when she finally attained her goal and tasted the pure nirvana that was Benji’s kiss, it was incredibly crushing when he broke up with her to go to college across the country, but even more so when she heard he had been killed instantly in a car accident. Overwhelmed with grief, Bridget takes a year off from college, papers the walls of her studio apartment with pictures of Benji, and only leaves to go to her job as a waitress at an incredibly depressing truck stop. Enter Jasper, a very cute guy who gets off on wooing damsels in distress. Bridget thinks she might love him, except that Benji’s ghost keeps getting in the way. But when evidence surfaces that makes Bridget aware that perhaps Benji wasn’t the amazing person she thought he was, she wonders if its time to sever all romantic ties and get to know and love Bridget, first.A fantastic introspective weepie by the winner of the Delacorte Press Prize for a First Young Adult Novel, this story is all about character development. So if you one of those readers who is all about plot, this may not be the weepie for you. (1 weepie)