Yvain, a little (ish) known knight from the court of King Arthur, wishes for adventure and gets more than he bargained for when he kills a local lord in battle and then promptly falls for the dead lord’s lady, Laudine. Luckily he is saved from this uber-awkward situation by Laudine’s maid, Lunette, who convinces her lady with logic to marry the lovelorn knight. But Yvain messes up royally again when he fails to return from adventuring by the deadline Laudine has set for him. Cast out of her castle, he roams the countryside seeking a way to win his lady’s heart back, encountering dragons, giants, and demons, and picking up a pet lion in the process. With an emphasis on the importance and wisdom of the women who help school naive Yvain in the ways of the world, this sumptuous medieval graphic novel has a distinctively 21st century feel. Yvain’s journey is lushly illustrated by artist Andrea Offerman, who’s detailed watercolor & ink panels beautifully convey the opulence of the medieval courts and the dusty green of the mythical English countryside. My only quibble was that some panels were far too small to capture the lavish action captured within. Fans of Anderson’s rich historical fiction will enjoy this attractive venture into a new format, and can continue their exploration of King Arthur’s court by checking out Excaliber: The Legend of King Arthur and Here Lies Arthur.
Two eerie tales intertwine in this gorgeously illustrated gem. Mary’s story unfolds through the pages of her diary, dated the spring and summer of 1982. An orphan, Mary lives with several other girls and their caretakers at the Thornhill Institute, where she is terrorized by another girl so malicious that she won’t even write her name in her journal. Mary avoids her tormentor by escaping to her room, where she reads voraciously and makes jointed dolls out of cloth and clay. But when the bullying crosses over into cruelty, Mary finally stands up for herself, with tragic results. Meanwhile, Ella’s story, told entirely in pictures and set in 2017, presents her move into a new house, where her bedroom window gives her a direct view into the overgrown back garden of the old, condemned Thornhill Institute. After seeing the figure of a girl in the trees, Ella sneaks over the barbed wire wall to try and find her. Instead, she finds a series of broken dolls, that slowly lead her to an attic room in crumbling Thornhill where she uncovers the terrible secret of what happened to Mary all those years ago. This creepy-cool take on a traditional ghost story will give you chills even on the hottest days of summer, and is perfect for fans of Brian Selznik and Shaun Tan. Coming to a library or bookstore near you August 2017.
I don’t know about you teen peeps, but when the April thermometer stays stubbornly in the 30’s and 40’s and I’m ready for warmer weather, there’s no better antidote than sending myself to a steamy place via a book. And Adele Griffin‘s delicious new title about a love triangle set on Fire Island during the sultry summer of 1976 more than fits the bill! Jean Custis can’t stand “slinky, scrappy” Fritiz O’Neill, and it’s not just because Fritz had the nerve to beat her in Sunken Haven’s Junior tennis tournament last year. It’s because Fritz O’Neill doesn’t belong, she’s not a “Sunkie,” and never will be as far as Jean and many of the other Sunken Haven families are concerned. Fritz O’Neill doesn’t think much about Jean Custis, the cool, smooth girl with wealth and connections to spare that she beat in tennis last summer. The gorgeous, raspy-voiced Army brat is much more concerned with having the best summer of her life getting over the quarterback who broke her heart. When both stone foxes set their hearts on Gil Burke, a new edition to an old Sunkie family and a “real Ryan O’Neal type,” the heat is turned up on their simmering competition. Then a senseless tragedy gives each girl a raw, sorrowful understanding of what’s really important. Told in alternate, first-person chapters, Jean and Fritz emerge as complicated, fully realized characters, each full of burning desires and unfulfilled longings. And tortured Gil, as seen through the eyes of the girls who’ve fallen for him, is just as complex, navigating a world of wealth and privilege that he was born to but never allowed to take advantage of until now. Friends, I have fallen deeply for this juicy tome that feels like a inspired mash-up of all my warm weather favorites, including The Summer I Turned Pretty, Little Darlings, Nantucket Blue and Dirty Dancing, while still telling a timeless story about social class struggles in a groovy historical setting. It’s DYN-O-MITE! Honestly, the only thing I don’t like about this book is the title, which seems way too generic for such a hip historical fiction. Still, you’ll want to pack this book first in your beach bag or summer camp duffle when it sails into a library, bookstore or e-reader near you June 2017.
An unnamed girl in an anonymous city tells the story of her and her Ma, a homeless addict who tries to stay clean for her daughter but never quite succeeds. The girl and Ma move from tent to alley to abandoned building, constantly dodging the frightening Authorities in their official yellow vests. They are finally able to make a home in the overgrown and forgotten Castle, an old abandoned mill on the edge of the city. There, they set up a stopgap bedroom, ramshackle living room and even a makeshift kitchen. The girl feels safe, even though Ma says she must never go outside in case she is seen by the Authorities. So she spends her days reading school books Ma has brought home, spying on faraway apartments with her old binoculars and talking to the Caretaker, an old man who has also made his home in the shadow of the Castle. Then the ghost shows up, a mysterious presence that reminds the girl of the one terrible night Ma left her alone before they came to the mill. Haunted by her own bleak memories, the girl must find a way to remember what happened that night so she can save Ma and herself from the ghost and their own grim futures. This eerie, gritty debut blends suspense, survival and magical realism into a satisfyingly spooky stew that will keep readers guessing until the very last page. Coming to a library, bookstore or e-reader near you June 2017.
When Haitian-born Fabiola arrives at her cousins’ house on the corner of American Street and Joy Road in Detroit, she dreams of starting a new life. But after her beloved mother is detained at the airport, Fabiola’s dreams begin to fade. Her aunt and three cousins (Chantal, Donna and Pri) are strange and intimidating, with their weaved hair, strong opinions and tough attitudes. School is confusing with its complicated cliques and strict teachers. Haiti seems very far away: “Nothing here is alive with color like in Haiti. The sun hides behind a concrete sky. I search the landscape for yellows, oranges, pinks or turquoises like in my beloved Port-au-Prince. But God has painted this place only gray and brown.” The one bright spot is her blossoming relationship with Kasim, a smart, funny boy she meets at a club while out with her cousins. Fabiola also takes comfort in her native religion of Vodou, and sets up an altar in her new home where she lights a candle for her mother and prays to the lwas, or spiritual guides, to protect her family and help her understand this peculiar new world. But Fabiola will need more than the guidance of Papa Legba when she is approached by the police to find evidence against Dray, her cousin Donna’s ruthless boyfriend and resident drug dealer. In return for her help, the detectives have promised to look into her mother’s deportation case. Torn between her new family and her old, Fabiola is forced to make a choice that will have devastating consequences, no matter what she decides. This fascinating novel blends gritty realistic detail with lyrical descriptions, resulting in a unique reading experience that beautifully illustrates the pain and difficulty of living between cultures. Readers looking for another story of Haitian/American culture clash should try Fresh Girl by Jaira Placide.
Vincent and Theo, Theo and Vincent. More than friends, more than brothers, these steadfast siblings kept each other alive through their devotion to art and to each other. Theo was the prosperous younger brother, becoming a profitable art dealer at a young age due to his savvy business sense and sharp eye. Vincent was the tempestuous older brother, moody and unpredictable, discarding a number of odd jobs before settling on painting as a profession. Then as now, pursuing a career in the arts wasn’t the most lucrative pursuit, but Vincent was able to perfect his signature impasto technique because of his brother’s steady financial support. Theo longed for romantic love, while Vincent craved commercial success so he could repay Theo, but neither brother ever put anything before their relationship with each other. While most people have heard of famous painter Vincent Van Gogh, few understand how completely vital Theo’s support was to Vincent’s success. In this intimate biography, rich with direct quotes from the brothers’ letters, author Deb Heiligman chronicles the ups and downs of the siblings as they navigated success, failure, loss of friends and family, love and marriage. My favorite passage concerns a parcel that Vincent was determined to carry himself. How Heiligman uses that story as a metaphor and weaves it through the entire biography as way of illustrating the brothers’ relationship is beautifully and subtly done, and provides readers with an insight as to which brother was emotionally carrying the other at different points in their lives. Coming to a library, bookstore or e-reader near you April 2017.
Sixteen year old Starr Carter has to navigate two different worlds that couldn’t be further apart: Garden Heights, the poor, mostly black neighborhood where she and her family live, and Williamson, the pricey, mostly white prep school she attends. She is pulled in one direction by her loving but strict family and culture, and the opposite direction by her wealthy school friends and white boyfriend Chris. “…I never know which Starr I should be. I can use some slang, but not too much slang, some attitude, but not too much attitude, so I’m not a ‘sassy black girl.’ I have to watch what I say and how I say it, but I can’t sound ‘white.’ Shit is exhausting.” Will Smith’s Fresh Prince of Bel Air character and Tupac Shakur‘s music are her touchstones as she tries to make peace between her two selves, but she often feels totally overwhelmed with the burden of keeping them separate. When her unarmed childhood friend is Khalil is gunned down right in front of her by a white police officer, Starr’s worlds collide in the worst possible way. Suddenly she is in the spotlight, fighting to defend Khalil’s memory and reputation at home and in front of a grand jury, while feeling angry and exposed at school when her clueless classmates stereotype Khalil as a “a drug dealer and a gangbanger” who “was probably gonna end up dead anyway.” The simmering conflict spirals out of control when the police institute a curfew, tanks roll past Starr’s front door, and Garden Heights becomes a battle zone. Tired of trying to unite her double life, Starr finds her true north when she confronts the police who are trying to block her and her friends from protesting with the strongest weapon of all: her voice. “Everybody wants to talk about how Khalil died…But this isn’t about how Khalil died. It’s about the fact that he lived. His life mattered. Khalil lived! You hear me? Khalil lived!” Inspired by the Black Lives Matter movement, Angie Thomas‘s debut novel is a searingly honest, painfully real examination of racism, police violence, code switching, and the importance of love and family in the face of crisis. Some readers will come away with a deeper and more nuanced understanding of what it means to grow up African American in this divided country, while others will find comfort and validation in seeing themselves on the page and being authentically seen. A vital read for all that is coming to a library or bookstore near you February 2017.
Tourist. Traitor. Psychopath. Spy. Who is Jule West Williams? A steely-eyed orphan who fought her way into the Ivy League with nothing but grit and determination? A heartbroken teen who just wants to be loved and accepted? Or a master manipulator with no conscience who will stop at nothing to secure her future? Only YOU can decide in E. Lockhart‘s brand new, topsy turvy tale of love, murder and betrayal.
As soon as Jule met Imogene, they were instant BFFs. Jule admired Imogene’s refusal to accept labels, and Imogen adored Jule’s stories of her hard-luck past. Imogene had money, and Jule had none, but that didn’t matter because benevolent Imogene always paid. But then Imogene asked one too many questions, Jule lied one too many times and suddenly, their fairy tale friendship was through. How will Jule survive without Imogene, or more specifically, Imogene’s generosity? With a lot of planning and a little luck, maybe she won’t have to…
This innovative thriller that starts at the end, and ends at the beginning, is exquisitely executed. Each meticulously plotted detail leads the reader deeper and deeper into a dizzying labyrinth of truth, lies and shocking consequences. As one of the fortuitous few who got to lay my eyeballs on this super advance copy, I was giddy with anticipation and fear at each turn of the page, and finished the whole stunning thing in one long, delirious sick day home in bed. “Fraud” may be in the title, but this provocative puzzler is destined to be a bona fide hit! Mark your calendars for September 2017 so you can be among the first to read one of the most remarkable YA novels of the year. Too long to wait? Then try these other satisfying stories of slippery secrets and delicious lies.
Che’s sister ten-year-old Rosa isn’t like other little girls. She’s not afraid of anything, not heights or strangers or big dogs. She thinks it’s funny when someone gets hurt. She doesn’t make friends, she uses them. She wonders what it would feel like to kill something bigger than a bug. Che knows this because he is the only one Rosa confides in. Che is tired of listening to Rosa’s constant lies. He’s tired of trying to anticipate what terrible thing she might do next. But mostly he’s tired of his parents pretending nothing’s wrong. Because something is very wrong with Rosa. And now that their family has moved to New York City, Rosa has a whole new world to explore, new friends to exploit, new lies to tell. Che just wants to focus on boxing and getting a girlfriend, but he’s afraid to leave Rosa alone. Che tries again to tell his parents that Rosa isn’t right. But they just don’t want to hear anything bad about their darling, blue-eyed daughter. Now Che can only watch helplessly as Rosa’s deadly new plans unfold, and pray that she doesn’t target him next! Justine Larbalestier’s chilling modern take on The Bad Seed is utterly unputdownable. I downed this intense characterization of psychopathy in a little under 24 hours, and I have no doubt you’ll do the same when you snatch up this suspenseful tome about the terrifying toxicity of family secrets at your local library or bookstore!
In years past, I have faithfully posted a Top Ten Books list. But this year, I haven’t read nearly as much YA as I wanted to/should have, due to number of tedious reasons, the main one being that I was was supes busy working on many other adult-ish writing/reviewing projects. (Adulting. So boring, yet so necessary. You’ll see what I mean soon enough.) So here is a leaner, meaner list of my top five best YA reads of 2016. I mean, I could have dragged the list out to ten, but that would have taken away from the absolute awesomeness of these five, utterly top-notch books. Please note that there has been absolutely no attempt to balance this list by age, gender or genre. These are just my “from-the-gut” favorites of the books I read this year. (Also, The Underground Railroad was not published as a YA book, but is a book that in my opinion, all YAs should read) Click on the title to go right to the review.
Burn Baby Burn by Meg Medina
The Passion of Dolssa by Julie Berry
Salt to the Sea by Ruta Sepetys
The Sun is Also a Star by Nicola Yoon
The Underground Railroad by Colson Whitehead