Reading Rants! Out of the Ordinary Teen Booklists!

Height challenged freshman Sherman Mack loves the ladies. Really loves them.  “Sometimes I think I might die of girls. Like one will get too close and I’ll just be over.” He blames this benevolent love of all female kind on his young mom, a burlesque dancer who he worries “may be trying to make me gay…my mother is into glitter. This is very damaging for a developing male.” Still, “living with my mother and her dancing and dressing up…has been an education in the ways of womankind.” Because of his “concern for the welfare of all ladies,” the brutal practice of ostracizing certain girls at his high school just because a mysterious “Defiler” posts their picture on all the bathroom mirrors bothers him more than it might the average teenage boy. So when his crush object Dini Trioli looks like she may be in danger of becoming Defiled, Sherman creates Mack Daddy Investigations, his own detective operation, planning to expose the Defiler once and for all. But between trying to spy on suspect lacrosse players and conduct interviews with the smokin’ hot “Trophy Wives,” (the most popular girls at school) Sherman also finds himself falling in love—and not with Dini. Instead, someone much closer is slowly stealing his heart. Can Sherman stay objective long enough to solve the case of the Dastardly Defiler? Or will his predilection for lovely ladies end up blinding his private eye? Susan Juby’s hilarious story of high school hierarchy and the one super nerd who’s determined to stand up for what’s right even if he has to topple Trophy Wives to do it is equal parts Say Anything and The Pink Panther. Sherman’s dialogues with his fellow dorks ring funny and true, as do his exchanges with his quirky mom, who is just a little too frank: “I won’t be here for dinner…We’re practicing some new routines. Adrienne just bought a pole. Lots of fun.” Don’t miss this sweet little sleeper, which will be sneaking its way into a library or bookstore near you October 2008.

Benjamin and Tom are two entrepreneuring eighteenth-century grifters who need a sympathetic third body to help them tug at potential marks’ heart and purse strings. Enter Ren, a small dirty orphan with only one hand. Grateful to have found a new “family,” Ren agrees to play his part, though his sensitive conscience (well developed at the Catholic orphanage) often pains him. Using Ren’s wan face and prominent disability, the two crooks clean up until they turn their illegal attentions to grave robbing. Caught at the dirty deed, the trio are targeted by a shady local mill owner, who holds an entire small New England town in his tight fist. As they try to escape his murderous intentions, a surprising secret about Ren’s past comes to light, changing, well…everything. This quirky historical yarn, reminiscent of the writing of Charles Dickens and Robert Louis Stevenson, is full of colorful characters and unexpected twists. Both absorbing and exciting, often absurd and sometimes deeply sad, The Good Thief is a darn good read.

Thirteen-year-old Mau is devastated when a freak tsunami takes out his entire island  village, leaving him with only shy tree octopi and the less than charming, projectile-vomiting Grandfather birds for company. But not for long. The same storm that destroyed his people also shipwrecked the Sweet Judy upon his island’s shore. The lone survivor is Daphne, a properly bred English lass who appears to be a “ghost girl” to the dusky-skinned Mau. Together they form an unlikely friendship as they attempt to rebuild Mau’s lost “Nation” with the straggling survivors from nearby islands who continue to wash up on the beach. While working to raise food, create laws, and build defenses against the local cannibals, each teen struggles to overcome their own personal demons. Daphne learns that manners don’t help when it comes the necessary murder of a charming, yet psychotic pirate, while Mau discovers that after the tragedy of the tsunami, he no longer believes in gods he grew up with, and refuses to accept that only the gods have the answers: “I want to know why. Why everything. I don’t know the answers, but a few days ago I didn’t know there were questions.” The only thing that’s certain is that one day Daphne’s father will come looking for her. But if he finds her, what will happen to the newly minted Nation? Will Mau and Daphne’s created community just end up as another British colony? Or will the two inventive teens find a way to send everyone home happy? Daphne reminds me of Pratchett’s other headstrong heroine, Tiffany Aching of Wee Free Men fame, while her bond with Mau is reminiscent of the relationship between two of my fav characters in recent YA literature, Matt and Kate from Kenneth Oppel’s awesome Airborn. Pratchett’s trademark humor comes through in the hilarious cultural misunderstandings between Daphne and Mau, especially in the birthing of babies and the making of beer. But he also leaves readers with plenty of food for thought in terms of the politics of nation building, the dubious comforts of religion, and the enduring tenacity of humankind. An unusually thought-provoking survival story of the first order.  Landing in a library or bookstore near you October 2008.

Fifteen-year-old village girl Liga, emotionally and physically battered from bearing two children, one beget through incest, the other through rape, is given a well deserved respite when the Universe smiles on her by magically transporting her to her own personal Heaven, a gentle, patient version of the rough medieval-like world she once knew. Here, there are no brutal fathers, no leering village boys, no stone-faced grummas to judge her. There is only a beautiful little cottage in the middle of a wood populated with friendly beasts, (including a gentle enchanted man-bear who treats Liga’s children like his own cubs) and a welcoming village full of kind and smiling people who never lie or betray. Here, Liga raises her two sweet daughters, fair Branza and dark Urdda, in perfect peace. But the membrane between Liga’s heaven and the real world has grown thin over the years, allowing some who are not as pure-hearted as Liga and her daughters to enter. And likewise, the girls discover they can pass through into the real world of Liga’s tortured past. When teenage Urdda accidentally pushes through into the material world one day while exploring, she finds a place of passion and pain that is completely opposite of her woody haven. She doesn’t want to leave, but she also can’t bear the thought of leaving her beloved mother and sister behind. With the help of a powerful sorceress, she attempts to bring them to her, and sets into motion a chain of events that shakes her family to their core and irrevocably changes the path of their combined destiny. What I have described here barely scratches the surface of the captivating, complex world Aussie author Lanagan has created. Pushing the boundaries of YA literature, this dark, violent fairy tale, containing elements of everything from The Color Purple to the Grimm Brothers’ Bearskin, is rife with themes of memory, identity, lost childhood, family and what it means to grow up. You will need to digest these Tender Morsels for yourself to discover the magnetic power of her dense, gorgeous prose. Deeply imaginative and beautifully written, this is easily one of the best books of 2008.

Crossing over into our world October 2008.

“Would you rather have your father sing at the supermarket or your mother fart in the principal’s office?”

“Would you rather lose all your hair or all your teeth?”

“Would you rather know what’s going to happen or not know?”

Natalie and her friends play the “Would you…” game all the time, with the highest marks going to the grossest or grimmest options. In fact, it’s just after they’ve been sitting around shooting the “would you” bull on a perfect summer night when Natalie gets the call that changes everything. Natalie’s older sister Claire has been hit by a car. She’s in a coma and it doesn’t look good. Now all Natalie can do is wait. Her life has slowed down to moments that pass like eons while she waits for Claire to either wake up, or…the alternative is impossible to imagine. “Would you rather die or have everyone else die?” Who is Natalie without Claire? Not only doesn’t Natalie know the answer to that terrible question, she’s sure she doesn’t want to find out. Marthe Jocelyn paints an incredibly intimate portrait of a family responding to a crisis. Grieving turns out to be heartbreaking and sometimes even heartbreakingly funny. The dialogue between Natalie and her posse is so crisp and real it feels like Jocelyn has somehow been party to the conversations that flew around your own rec. room on a slow Saturday night. If you only read one book before you go back to school this fall, I would rather it be this one. (2 weepies)