Kayla and her best friend Rosalie have always viewed themselves as radical feminists warriors in the battle against society’s rampant mental and physical oppression of women. But now loud-mouth Rosalie wants laid-back Kayla to put her burgeoning investigative journalism skills to work by trying out for their school dance squad, The Lady Lions. Rosalie is sure the stacked dance crew won’t have anything to do with Kayla, because even though she’s got moves, Kayla’s a card-carrying member of the “itty bitty” A-cup club. Rosalie’s plan is for Kayla to write a scathing expose of the Lady Lions and their discrimination of those who happen to be bosom-ly challenged. But to both of their amazement, Kayla makes the team, and to her own surprise, actually likes being a Lady Lion. The dance squad girls aren’t nearly as snooty as she imagined, and really seem to want to be friends. But how can Kayla make her bossy BFF understand that she can be a feminist AND a proud, girl-power performer? Newcomer Sherri Winston’s story of a girl on the verge of discovering who she really is and what she stands for is sassy and outrageously funny. Winston’s message that girls can be both feminine and feminist is especially powerful in our current “girls gone wild” American society. And the appended lexicon of “Kayla-isms,” Kayla’s innovative made-up vocab for every occasion, probably won’t be long finding its way into teen text messages everywhere. I’m a personal fan of “crunktacular: an event that’s very nature is hyped-up, psyched-out, and leads to extra-wild reactions” and “blind-sexy: when someone looks so good even a blind person would go, ‘Mmm!'”