I wasn’t much of a comic book reader until I started this graphic novel collection in the public library I used to work at. (For those who of you who aren’t in the know, a graphic novel is a collection of serial comic books bound together in a hardier cover, or an original one-time longer story in a stronger cover) All of the sudden, I discovered how cool GN’s were and I was hooked. As in addicted, man. I devoured most of Sandman, and a handful of other titles, most of which you’ll find below. The only thing you’ll probably never find here is manga–I’ve never been able to understand the appeal, but I know lots of teen folk LOVE it. Unfortunately, you’ll just have to get your big-eyed fix somewhere else. Get into graphics, they’re just fantastic! And for more great graphic novel suggestions, visit Robin Brenner’s excellent No Flying, No Tights
In this raucous medieval-ish fantasy turned upside down and sideways, Nimona is a sassy shape shifter who offers her slick sidekick services to professional villain Ballister Blackheart. In turn, she wants nothing more than to take out a few good guys. But that’s not the kind of villain Blackheart is. In fact, he’s kind of…kind, more like a Robin Hood than Sheriff of Nottingham. So when Nimona’s unstoppable powers attract the attention of the deadly Director of the mysterious Institute, Blackheart does his best to keep things from getting too heated between Nimona and the Institute’s champion, Ambrosius Goldenloin. But for sad and terrible reasons of her own, Nimona is out for blood, and soon Blackheart finds himself trapped between his arch enemy and his closest ally, no longer able to tell which is which. This inventive graphic novel was originally a web comic that earned oodles of raves, all heartily well deserved. Stevenson’s small scale art and text is packed with big universal truths about corruption, morality and heroism while also delivering some hardcore giggles along the way. You’ll find yourself wanting a Nimona of your own after finishing this delightfully subversive tome.
Pakistani American teenager Kamala Khan wishes she could just be like everyone else. She’s tired of the kids at school making fun of her culture and her Muslim parents’ strict rules. “Why do I have to bring pakoras to school for lunch? Why am I stuck with the weird holidays? Everyone else gets to be normal. Why can’t I?” But one night, after sneaking out to a party that her parents forbid her to attend, her wish to be someone else comes true in a way she could never have imagined. When Captain Marvel, Iron Man and Captain America appear to her in a sea of fog and ask who she wants to be instead of Kamala Khan from Jersey City, she quickly replies, “Right now? I want to be beautiful and awesome and butt-kicking and less complicated.” In other words, she wants to be like Captain Marvel herself. But when the fog clears and her wish is granted, Kamala discovers that her new shape shifting abilities have made her life more complicated, not less. While she does manage to pull off a pretty heroic rescue, she also accidentally destroys her school locker room when her “embiggen” powers get away from her. “What does it mean to have powers? To be able to look like someone I’m not? What if I don’t fit into my old life anymore? Like it’s a pair of pants I’ve just outgrown? Would I still be Kamala?” As Kamala struggles to answer these questions, she and her friends are drawn into a battle with shady villain known only as “The Inventor.” Does Kalmala have what it takes to bring down the Inventor? Maybe…if she learns to believe in herself as much as she does her beloved Captain Marvel Carol Danvers. “I’m not here to be a watered-down version of some other hero…I’m here to be the best version of Kamala.” This fresh, funny, thought provoking graphic novel featuring a realistic teen who turns the superhero stereotype upside down makes a terrific read alike to Gene Yang’s equally awesome Shadow Hero.
David Smith is a disgraced artist. Once a rising young star in the art world, he said the wrong thing about the wrong critic and suddenly his career was in the toilet. Now he’s washed up at twenty six and about to be evicted from his apartment. But just when he’s resorted to drinking his days away, Death shows up in the form of his former Uncle Harry and presents him with a proposition he can’t refuse: the ability to sculpt any material with his bare hands in exchange for (what else?) his life in 200 days. David has a little under seven months to make his mark on the world before he leaves it forever. But right away he runs into complications. First of all, there’s the little matter of his rent–he’s still jobless and broke. His landlord throws him out and confiscates all his new work. His phone is cut off. Then the very worst possible thing of all happens. David falls in love with an angel named Meg and the endless 200 days suddenly seem a lot shorter. Can David beat Death at his own game by finding a way to live forever through his artwork? Or will he die in obscurity, content that at least he was truly known and loved by one very special person? Since the “making a deal with Death” is a familiar story, you might think you know how this epic graphic novel ends. But you would be dead wrong. Scott McCloud‘s richly rewarding GN, with its timeless themes of life, death, love and art has the feel of an instant classic. The pale blue artwork is restrained, the panels are perfectly placed. The moment I finished it, I knew it would become a literary touchstone that I would return to again and again, like Craig Thompson’s Blankets, Toni Morrison’s Beloved, or S.E. Hinton’s Tex. For anyone who’s ever wondered what they would sacrifice to fulfill their dreams or which dreams they would be willing to sacrifice for a beloved someone.
Ever since I read French Milk before taking my first trip to Paris, I have been utterly charmed by Lucy Knisley‘s delightful (and often delicious) graphic memoirs. Her latest effort, which chronicles her travels through Europe while on a book tour, does not disappoint, as it is filled with the quiet humor and delectable food descriptions I have come to expect from this intrepid young artist. In 2011, twenty-something Lucy was enjoying the first flushes of her success as a working cartoonist when she was invited to present at a comic festival in Norway. She decided to tie it into a visit with friends in Sweden and Germany, and then join her mother and her friends for a short vacation in France. Once she is overseas, Lucy is blindsided by an unexpected love affair in Stockholm while trying to decide where the next chapter of her life will lead. She finds herself discombobulated and questioning everything she thought she wanted as she teaches European school kids about comics, drives across France with her mother and samples every local delicacy that comes across her plate.While at a wine tasting, it is a bearded old sommelier who gives a name to the experiences Lucy is having: “L’Age License, as in: License to experience, mess up, license to fail, license to do…whatever, before you’re settled.” Lucy decides then and there she will do less worrying about the future and more enjoying of the present. Peppered with appetizing cuisine pictures and unexpectedly beautiful full color portraits of her friends and family, An Age of License is a lovely story about food and firsts. It is perfect for anyone at the start of their travels who wonders where their road will lead–or for those in the middle of their journey who would enjoy a wistful moment looking back.
Katie should be loving her life. She’s a hotshot young chef with her own restaurant (Seconds) and about to open a new one called Lucknow. There’s only one problem: her success has made her miserable. Lucknow is having construction issues. She doesn’t like the way the cutting edge chef she hired at Seconds is running her kitchen. (She also thinks it might have been a mistake to start “canoodling” with him.) But worst of all is when her hot ex-boyfriend Max shows up for dinner with a gorgeous girl on his arm. Suddenly Katie just wants to go back in time so she can make different choices: about Max, about Lucknow, about her life. That’s when a blond haired house sprite shows up in the middle of the night and leaves three things in Katie’s top dresser drawer: a notebook labeled “My Mistakes,” a red-capped mushroom and a instruction card that reads, “1. Write your mistake. 2. Ingest one mushroom. 3. Go to sleep. 4. Wake anew.” Katie follows the directions and to her delight, they work. And when she finds more mushrooms under the floorboards of her restaurant, she is thrilled. Now she can correct every mistake she’s ever made! It’s easy! When the house sprite returns and warns her that she is only entitled to one mushroom and one mushroom only, Katie refuses to listen. Be careful what you wish for, you just may get it. And Katie gets it until she can’t even remember why she wanted to change things in the first place. Maybe her life wasn’t so bad after all. But how can she ever get back to the way things were? This magically real stand alone graphic novel by the author of Scott Pilgrim reads like charming modern take on the Fisherman’s Wife. Both teens and twenty somethings will find many of Katie’s situations funny and familiar, especially when it comes to first loves, first jobs and first-time-out-on-your-own. A perfect gift for grads, first job seekers and anyone who’s ever wished they could change the past (which, let’s be frank, is ALL OF US.)
Three sisters left alone for three days in a wintery cabin, each visited by a mysterious stranger who lures them into the snow. A beautiful young bride who makes a grisly discovery in the walls of her new husband’s grand house. A jealous man who commits murder in the dark of the forest and then is visited by the victim of his crime. These are a few of the deliciously creepy, folklore-gone-wrong stories written and illustrated by the incredibly talented Emily Carroll. Mostly inked in red, black and a chilly cobalt blue, these graphic vignettes about love, death and revenge ooze with tension until they quietly detonate, usually in a silent moment of terrifying realization or a shocking splatter of crimson blood. Though I have read through the collection over half a dozen times by now, I just can’t stop poring over the gorgeously gory pages in fear and fascination. This assemblage of gothic-themed dread is a boon to my YA horror peeps who are always looking for a good literary scare, and to any nervous reader who’s ever been convinced that they just missed being snatched on the way back to bed by the something that lives under it. Because as the fanged shadow warns Red Riding Hood at the end of her journey through the forest, “You must travel through these woods again & again…and you must be lucky to avoid the wolf every time…but the wolf only needs enough luck to find you ONCE.” Here’s hoping that the wolf never gets lucky and you relish these darkly delightful tales as much as I did. Want a taste of Emily Carroll’s disturbing visions? Read this interactive horror story and try not to shiver uncontrollably at the end.
The Graveyard Book Graphic Novel, Vol. 1 by Neil Gaiman, adapted and illustrated by P. Craig Russell et. al.
Neil Gaiman‘s Newbery award winning novel about a boy being raised by ghosts and a kindly vampire guardian has been transformed into an edgier, sophisticated two-part comic that captivates and surprises on every page. Haven’t read the novel yet? No worries, you can easily pick up the full story from Russell’s lavish adaptation (He’s the same artist who created the Coraline GN). This time Russell invited a small army of talented illustrators to join him, and the results are phenomenal. I especially loved Tony Harris and Scott Hampton‘s version of The Hounds of God, which was my very favorite chapter from the novel and stars the stalwart, secret canine Miss Lupescu. The full color spreads bring the busy graveyard and surrounding community to glorious, riotous life and quickly help readers differentiate the living from the dead. The beautifully wrought Danse Macabre chapter that finishes off the first volume is not one you will forget anytime soon. Don’t wait too long to dig it up at a library or bookstore near you.
When Deshi Li’s irresponsible older brother Wei is killed in a tragic accident, his parents charge Deshi with finding him a corpse bride, a dead female body to accompany him into the afterlife. Stricken with grief and guilt, Deshi complies, hiring a black market body dealer named Song to help him secure a girl who’s not too long gone in her grave. But when the two men are startled at the graveyard and become separated, Deshi runs into Lily, a rural girl desperate to escape an arranged marriage who’s looking for a free ride to Beijing. The two team up on the road, and Deshi finds his thoughts going to dark places. Should he just murder Lily and take her body home to his parents? But how can he, when each day he delays killing her in sleep he falls deeper in love with her? Meanwhile, Lily’s father and crooked Song are hot on their trail, each hoping to exact their own special brand of revenge. This beautifully illustrated modern fable of love and death hooked me from the very first sentence with an original plot grown from the rich soil of Chinese folklore. Author illustrator Danica Novgorodoff (Refresh, Refresh) tells Deshi and Lily’s story through sparkling, darkly humorous dialogue and lavish watercolor panels that take your breath away with each turn of the page. You’ll want to hightail it to a library or bookstore near you ASAP in order to experience this fantastic journey for yourself.
As the 1970’s are coming to a close, Margaret is in a post-college slump, trying to figure out where she fits in as a female pop culture cartoonist between the aging hippies and the new punkers. Then she stumbles into the Imperial Café, a diner full of sardonic waitresses, surly cooks and outsider customers that suddenly feels like home. “…I can tell there is something about this place. It feels like I am in a movie, a very interesting and exciting movie, an independent feature in which I play a smack but key role. I have to stay to find out how it’s going to end.” After telling a dirty joke that impresses the manager, Margaret scores a dishwashing job, new name (“Madge”) and a front row seat to the diner’s never ending drama. Customers and employees break up and make up, take drugs, get sober and then start all over again. Throughout the pale, aqua blue watercolor washed pages, Madge figures out the rules of adulthood, first by watching, and then by taking part in the noisy, vital, flamboyant life of the Imperial Café. I love slice of life stories that investigate a cross section of society in great detail, and this graphic memoir about the crazy, sexy petri dish of a busy diner is a great example. If you like OVER EASY, try these other great foodie fictions that are about way more than chopping and sauteeing: Last Night at the Lobster and Fried Green Tomatoes at the Whistle Stop Cafe And for more on Mimi Pond, head over to this great interview at School Library Journal.