It’s 1991, and Allison is desperate to escape her domineering dad, a mean, petty mid-level magician who forces her to act as his show assistant long after she has outgrown the role. She finds some relief when she discovers how to post to the local BBS (bulletin board system) by using the landline to dial in through her dad’s computer. There she meets sweet Sam, and they hatch a plan to get her out her house and away from her dad’s rages. Meanwhile, across town, Richard is the new kid in school. He used to have a tight crew back home but here, he can’t seem to catch a break. He’s become the target of a nasty local bully who’s escalated his attacks to the point of spraying Richard’s house with a BB gun in the middle of the night. Just when he thinks he’s reached his breaking point, Richard receives a mysterious note in his locker with directions on how to access a BBS called EVOL. He dials in and is introduced to Evol House, a community of outsider teens living on their own and led by tough, fearless Tina, who confronts the bully and teaches Richard “how to stay sane in this town…You listen to music. You come to Evol House. And you make shit.” How these four teens end up coming together is the satisfying conclusion of volume 1 of this affecting, minimalist graphic novel about the early days of the Internet. For those of us old enough to remember (I was a high school senior 1991) the Internet was initially a welcoming space where you could find like minded people and form community. While that still happens, as writer and critic Roxane Gay recently pointed out, much of the community spaces of Internet have been crowded out by cancel culture. Despite it’s somewhat dark title and sharp, angular art, Incredible Doom is an ultimately hopeful reminder of what the Internet was to kids and teens looking for connection, and what it could still be for those willing to wade through the cancelling, consumerism and contradiction to find the community waiting on the other side. I’m looking forward to Volume 2, and can’t wait to see what Matthew Bogart and Jesse Holden do next!
What do you do when you find out that your mom and best friend is dying of cancer? Weep with sadness? Rage at the unfairness of it all? Yes, and sometimes even write a stunningly good graphic memoir about it. Now ten years after Tyler Feder‘s mom died during her sophomore year of college, she has written a frank, poignant and even funny road map of how to navigate being in the “dead mom club.” Tyler’s mom Rhonda was awesome. She had a signature pixie hair cut, made amazing Halloween costumes and birthday decorations, and loved perfumed hand lotion and scary carnival rides. Feder’s choice to render her sad family history in a soft pastel pink palette helps soften the blow of seeing effervescent Rhonda lose her dark mop of hair and descend into sickness. With the benefit of healing time, Feder is even able to seed her story of grieving with gentle humor. There’s tips on “how to make a good cry a great cry,” “Dead Mom: The App,” and a “My mom died young reaction Bingo board.” The section on the family sitting shiva after Rhonda’s death is my favorite, where Feder lovingly details the strangeness of her terrible new state of motherlessness, but how friends and family helped her through. Good for both a cry and a laugh, Dancing at the Pity Party is perfect for anyone who’s ever lost a loved one, or loves someone who has.
High school sophomores and best friend group Abby, Brit, Christine and Sasha have had it up to HERE with the empty tampon dispensers in their school’s bathrooms. What’s a girl supposed to do if she forgets her essential supplies? Isn’t it the school’s responsibility to stock these vital necessaries used by 50% of the population? Activist minded Abby thinks so, so she launches a giant demonstration to draw attention to the issue. There’s only one problem–she brings her friends into it without asking their permission, putting them all at risk for suspension. Can Abby do an abrupt about-face and win back her best buds’ trust, while still holding the school accountable for supporting menstrual rights? This sweet, funny graphic novel was inspired by the creators wish to normalize periods and stop them from being such a taboo topic. But it’s also a delightful friendship story, full of secret crushes, awkward flirting and the highest of high school drama. If you grew up reading Raina Telgemeier or Shannon Hale, you’re going to love Go with the Flow. Period! (hee hee!)
I am seriously sports adverse. You might even call me allergic. So, it turns out, is award winning and all around awesome graphic novelist Gene Yang. That’s why he was surprised to find himself writing a graphic memoir about, well, basketball.
Gene didn’t even know much about The Dragons, the basketball team at Bishop O’Dowd Catholic high school where he taught math. But when he starts hearing his students talking about how this is the year for the Dragons, he senses a story. And what a story it is! Gene finds himself caught up, just like the rest of the school, in the drama of the Dragon’s 2014 basketball season. A team that always makes it to the California State Championship, but never seems to seal the deal, the Dragons are determined to win this year, and Yang invites himself along for the ride. Interspersed between the personal stories of the individual players, their charismatic coach Lou Ritchie, and fast paced season games, are captivating chapters on the origins of basketball and famous games and players from basketball history. (I can’t even believe I wrote that last sentence.) Each time a character makes a major decision, in basketball or in life, Yang shows them taking a step: across a line, across a street, or into the future. It’s a quiet, yet powerful visual that underscores the fact that the most monumental changes are often initiated by the smallest act. Suspense builds not only as readers race to the end to see if the Dragons will win State, but also to see what happens to Mr. Yang, who’s undergoing his own personal crisis regarding his calling as a teacher and an artist.
I have always been an unabashed fan of Gene Yang, and I’m clearly not the only one. I think everything he creates is outstanding. Each book is better than the last, and I think, how can he possibly top THIS one? By making a person with NO sports gene CARE ABOUT BASKETBALL AND BAWL LIKE A BABY THROUGH THE WHOLE LAST CHAPTER, that’s how. I don’t care who you are or what you like to read, you will love this book. Coming to a library or bookstore near you just in time for March Madness, 2020.
It’s “seasonal” friends Deja and Josiah’s last night working at the local pumpkin patch, and their nostalgic feelings are running high. For four years, they’ve worked together at the Succotash Hut, bonding over corn and lima bean stew. Now they’re seniors, and it’s time to trade gourds for college textbooks. But Josiah has one last wish to fulfill before the pumpkin patch is in his rearview mirror forever: introduce himself to Marcy, the mysterious Fudge Shoppe Girl who he’s been crushing on for the last four falls. Deja is more than willing to help him in this quest, especially as it means making the rounds of the patch’s many delicious snack stands. But there are several obstacles standing between Josiah and his true love, including an escaped billy goat named Buck, a candy apple-stealing middle school hooligan who keeps targeting Deja’s treats, and his own confusing emotions. By the time the tired twosome finally track down Marcy, they discover that things have shifted between them, and what each of them thought they wanted has changed over the course of one last memorable journey around the pumpkin patch. This charming autumnal-themed graphic novel is brimming with light romance, cute banter and of course, pumpkin-flavored treats. Fans of Rainbow Rowell and Faith Erin Hicks will be pleased by their timely, tasty collaboration that is destined to both steal hearts and whet appetites!
Poor Freddy! No matter how much attention she pays to her popular, super hot girlfriend, Laura Dean, LD just keeps breaking her heart. Her friends Doodle, Eric and Buddy are tired of seeing her so upset and consoling her every time Laura Dean decides to take a powder. Freddy doesn’t know why she keeps taking Laura Dean back, but she does, even though Laura only wants to hang out on her schedule, and doesn’t really share any of Freddy’s interests or hobbies. Freddy finally writes in to Anna Vice, an internet advice columnist, in a desperate attempt to understand her rollercoaster relationship. But before Anna can write back, Laura Dean pulls a stunt that finally shows Freddy once and for all the kind of person she truly is. Now Freddy has to decide if this time, she’ll be the one doing the breaking up.
This smart, super realistic graphic novel sprung from the head of Mariko Tamaki, author of the awesome This One Summer (with Jillian Tamaki), Emiko Superstar and some terrific Lumberjanes, among many others. Tamaki’s characters are so authentic, so completely recognizable, that if you are or ever were in high school, you will recognize yourself or someone you know. It’s so refreshing to read a story with LGBTQ characters who are just living their lives like any other teenager in an accepting environment (well, as accepting as high school can be for any one!) Freddy even pokes fun at this in her email to Anna: “I’m aware that I should be grateful that I have the ability to get broken up with and publicly humiliated the same as my hetero friends. I am progress.” Rosemary Valero-O’Connell‘s pink-tinted artwork perfectly captures Freddy’s fragile feelings of love and the rose colored glasses through which she sees the world–until the truth about Laura Dean rips them off. You won’t want to miss this utterly true take on high school romance and relationships, which is out right NOW!
Amanda, or “Mads” as her friends call her, is not that into kissing. It’s usually too awkward, handsy or wet. No big deal, she has enough to fill her days without worrying about locking lips. There’s minor league baseball games and trash TV with her dad, Mass on Sunday with her mom, and after hours adventures with her best friend Cat every weekend. But then a mysterious phone call turns her comfortable world upside down. Mads discovers a hidden family secret that suddenly sheds new light on her lack of kissing enthusiasm. With Kiss Number 8, Mads begins to understand that maybe it’s not the act of kissing itself, but WHO she’s kissing that’s the problem. Author Colleen AF Venable and illustrator Ellen T. Crenshaw have hit a home run when it comes to portraying uber-realistic teen characters and their equally confused and conflicted parents. Venable’s deft dialogue sings, while Crenshaw’s eloquently drawn black and white facial expressions capture every turbulent emotion that Mads and her friends experience. This funny, poignant graphic novel about figuring out who you are while navigating parental expectations, friendship loyalties and religious beliefs should be at the top of your summer reading list!
Readers of this blog know that while I love me some graphic novels, I’ve never been a huge superhero comic fan. The one exception is Marvel’s Runaways, which captured my heart way back in 2007. That’s why I was THRILLED to discover that hotshot romance author Rainbow Rowell has penned a new chapter in the timeline of do-good teens whose parents are big villainous baddies! (SPOILERS AHEAD: Only keep reading if you are already well versed in the Runaways universe. Otherwise, head back to the beginning.)
At the end of the original series, The Runaways fell apart. Alex and Gert died, Molly went to middle school, and Carolina headed to college. As Nico slums it in a cheap apartment, trying to decide her next move, she is stunned when Chase shows up, a nearly dead Gert in tow. Turns out Chase decided to time-machine it to Gert’s death, hoping to bring his buxom, lavender-haired love back to life. Once Gert is revived, (and over being really pissed that she missed two years of action) she’s ready to rally the troops and restore the Runaway’s badass reputations. The only problem is that no one seems terribly interested, which throws Gert into a deep depression. Why did Chase rescue her only to have re-lose the only family she has left? It’ll take a geriatric baddie to bring the gang together and set them back on the superhero path! Fans and newbies to the series alike will find much to love in this delightful reboot. Volumes 1-2 are out now, and Volume 3 comes out Apil 23rd, so hightail it to your nearest library or bookstore for immediate Runaways gratification!
Ari just knows his future calling is to play in an indie pop band with his best friends, not work from the crack of dawn every day in his family’s struggling Greek bakery. But until he can convince his parents of that and scrape together enough rent money, he’s stuck at home making sourdough rolls. Then cute, tall Hector applies for an job behind the counter and suddenly baking sourdough isn’t so bad. Soon they are spending more and more time together, as Ari shows Hector the ropes and Hector grows closer and closer to Ari’s family. When the time comes for Ari to fully turn over the baking reins to Hector and take off for the club stages of big city Baltimore, he finds it’s not as easy as he thought. But before Ari can figure out what his heart is telling him, a terrible accident blows up his relationship with Hector and drives them apart. Can Ari make a new future for himself while finding his way back to Hector? This tender romance of a graphic novel, drawn with just a touch of manga and shaded in tones of turquoise blue, is sweetly reminiscent of another classic blue-tinted love story near and dear to this reviewer’s heart. Ari’s messy, tousled hair and Hector’s wide, welcoming smile won me over instantly, and I waited with bated breath for these two boys to figure out that what they were feeling was more than just a summer crush. Tasty extras include a recipe for the Kyrkos Family Bakery’s Famous Sourdough Rolls and a finger-snapping summer playlist of beachy songs from Hector to Ari. Fans of Rainbow Rowell, David Levithan and Nicola Yoon looking for a new swoon, your wait is over! Pluck this Bloom asap from your nearest library or bookstore!
It’s no small task to take an iconic piece of prose, break it down into a graphic format and also manage to say something new. But that’s exactly what Ari Folman and David Polonsky did in this utterly arresting transformation of one of the world’s most beloved texts, The Diary of Anne Frank. As many of you already know, Anne Frank was a Jewish teenage girl who kept a diary from 1942 to 1944 while living in hiding from the Nazis with her family in Amsterdam. The original diary is full of wry observations, silly asides and bursts of teenage angst, rage and sadness. Folman and Polonsky condensed and edited down Anne’s well-known words, instead using highly expressive character faces and richly designed two page spreads to further convey her thoughts, fears and dreams. The results are vivid, moving and in some ways, even more intimate than Anne’s prose entries. Seeing Anne’s jealousy of her perfect sister Margot depicted on a single page of devil/angel poses or the two sets of bickering parents drawn as fire breathing dragons adds a fascinating new dimension to a classic many know by heart. Both a compelling true story and stunning work of art, Anne Frank’s Diary is a book you’ll want to own so you can pore over the full color pages again and again.
Way back in the day when Amazon was still just an online bookstore, I was hired to write freelance reviews of YA novels (which sadly, are now long gone from the site.) In one of my very first assignments, I was sent three ARCs: Hard Love by Ellen Wittlinger, Monster by Walter Dean Myers and Speak by Laurie Halse Anderson. Yeah. If you know YA literature at all, you know that those were the BIG THREE, the titles that ushered in the new golden age of YA lit by dealing frankly with issues of race, sexual identity and sexual assault while also being universally accessible and beautifully written. They broke the ground for Angie Thomas, John Green, Libba Bray, Jason Reynolds and basically every other modern YA author you know and love.
All of these books have continued to resonate with teens, but in particular, the popularity of Anderson’s Speak has grown exponentially. It won multiple awards, was made into a movie and is taught in high schools all over the country. And in 2018, twenty years after the publication of the original book, Laurie Halse Anderson and artist Emily Carrol have transformed it into a simply spectacular graphic novel.
Speak the Graphic Novel tells the now classic story of Melinda, a high school freshman who has stopped talking because she was raped at a party the summer before ninth grade. She is shunned by former friends and ignored by her busy parents. The only adult who shows her any positive attention is her art teacher, the goatee-ed Mr. Freeman, who instructs her to to take one subject (a tree) and “explore it in every way possible until you figure out how to make it say something, express an emotion.” Both Melinda and her tree evolve over the course of the school year until she finally finds her voice again and confronts the boy who assaulted her. Melinda’s voice is sardonic, self composed and darkly humorous in a way that felt revolutionary when Speak first came out, and continues to today.
Carroll has taken that voice and embellished it with her own ominous , shadowy style, full of close ups of mouths that smile, spit, snarl and snicker, all mocking Melinda’s own lips that rarely open and are dry and scabby from biting. Faces melt, eyes go black and panels flow like blood into each other, visually depicting the pain Melinda won’t voice. The pages lighten as spring approaches, except the two page spread where Melinda confronts her rapist and does everything she was too stunned to do before–screams, hits and says “NO!” in one long, savage word bubble that bursts into a dozens of sharp triangles. Like her tree, Melinda survives, grows, and renews herself, refusing to give up even when the pages go dark.
Fans of Speak will find their old friend freshly and inventively interpreted, while newcomers will fall under Carroll’s dark spell immediately, only resurfacing to go back to the beginning and read again before heading to their school library to check out the original. Do not miss this brilliant reimagining of one of the most celebrated books in YA history!
After recently becoming completely enamored of Penelope Bagieu‘s Brazen, I was delighted to discover the author had also written this longer form, graphic biography of the indomitable Cass Elliot. Elliot was best known for her role in the Mamas and the Papas, a folk rock band that was famous in the 1960’s. Much has been written about her and the band, especially their dramatic arguments and Cass’s tragic death at age 32. But Bagieu focuses here on the early life of the ground breaking singer, back when she was just Ellen Cohen from Baltimore who was her father’s favorite and loved to sing. With small panels that can barely hold Cass’s big expressive eyes, Bagieu traces her path to fame, from leaving home at nineteen to falling in love with men who didn’t always appreciate her talent, but somehow ended up leading her to new and better singing opportunities. Each chapter is narrated by a person from Cass’s life, from her little sister and her vocal coach, to her father and first (brief) husband. And pretty much everyone in between, including the other members of the Mamas and the Papas. It’s like getting a meet and greet with all the major musicians of that time! While this is some ways a classic music bio, it’s also a terrific story of a woman refusing to squeeze herself into the mold society expected her to fit. Bigger than life and twice as bold, Cass Elliot made her own rules, and this graphic bio will inspire anyone looking for the courage to buck the system and forge their own path.
David Small’s graphic memoir, Stitches, absolutely gutted me when it came out in 2009. Now he has published an equally wrenching graphic novel of small-town, 1950’s boyhood that utterly destroys, in the most cinematic and moving way possible, any nostalgic, rose-colored views of that turbulent time. Russell’s mom dumps his dad for another man, so Russell and his uncommunicative, alcoholic father leave Ohio for California, where his father hopes to bunk with his rich sister until he can get back on his feet. But Aunt June isn’t interested in her male relatives invading her clean, quiet mid-century modern home, and sends them packing pretty quick. After finally finding and renting a room from a kind Chinese couple, Russell’s father finds work at the local prison. Russell starts school and falls in with Kurt and Willie, brutal, bullying teens who smoke, drink and ogle waitresses at the town diner. As he slowly becomes accustomed to his new life, Russell finds himself confronted with a wide array of conflicting male role models. Should he be more like his drunk dad and Kurt: loud, rude and arrogant? Or is he more like like Mr. Mah, his gentle landlord who practices tai chi in the backyard or Warren, the quiet neighbor boy who lives with his grandma and loves all animals? Over the course of one long, savage summer, Russell finds himself mentally and physically tested by all these different versions of manhood as he tries to discover which one fits him best. Small’s evocative panels, full of frowning, sneering faces, dead pets and interior shots of dim, empty rooms grimly foreshadow Russell’s long, tragic journey to self acceptance. Deeply sad, but never despairing, Small’s work luminously captures the dark side of adolescence in a way that still manages to be forgiving. Coming to a library or bookstore near you September 2018.
Remember those good old days of summer before you got roped into horrific high school summer projects/jobs/chores? It was just you, your best friend, a couple of bikes and two months of do-nothing stretching out to the horizon.That’s how it always was for Bina. She couldn’t wait until June so she and her best friend Austin could hang at the pool and add points to their Summer Fun Index (scientifically based on number of video games played, movies watched and stray cats petted, of course). But the summer after seventh grade, Austin has traded the Summer Fun Index for soccer camp, and Bina is convinced that her summer is gonna suck–hard. When her parents lock her out of their Netflix account because she’s “watched a summer’s worth of TV in a week,” Bina is forced to hunt down entertainment elsewhere. Oddly enough, without Austin around, Bina discovers that there’s a whole other world out there of cool older girls, indie music and her own untapped inner talents. This utterly endearing, oh-so-true graphic novel about one rising eighth grader’s summer adventures in babysitting, mean-girl-taming and indie-band-watching will make you feel so nostalgic for middle school that I bet you go dig up your Muji Pen Set and find an old notebook to doodle in. A terrifically un-taxing summer read that you’ll finish in an afternoon and think about the rest of the week!
Do you know who the powerful Chinese empress Wu Zetian was? Have you ever heard of the three rebel Dominican sisters (Las Mariposas) who defied the dictator Trujillo? Or how about super sexy singer/songwriter Betty Davis? Or passionate Afghan rapper Sonita Alizadeh? ME EITHER, until I read graphic artist Penelope Bagieu‘s candid, colorful, cartoon collection of girl-power-mini-bios. This unputdownable volume of glorious girls and wondrous women, both notable and not-so, is easily one of my favorite books of the year. In just a few short pages, Bagieu chooses the most compelling tids and juiciest bits of each woman’s life and then illustrates them in tiny, perfect panels that completely captures them in all their funny, fierce femininity. Then she closes each story with a stunning full-color, two-page spread that often left me gasping in awe. I loved DISCOVERING volcanologist Katia Kraft, bearded lady Clementine Delait, and Apache warrior Lozen. And I loved learning MORE about astronaut Mae Jemison (did you know she studied medicine before space?) writer Nellie Bly (who basically invented investigative journalism) and collector Peggy Guggenheim (who discovered and financed practically every major twentieth century artist). The historical list of haut and hip goes on and on, and each page is a visual and intellectual delight. Don’t miss amazin’ Brazen!